THE EARLIEST GAME OF NINEPINS
These ninepins, the gate to play through, and the porphyry balls were all found in a child’s grave.
History as Reflected in Mythology
HISTORY IN MYTHOLOGY. Of the breakup of this civilisation we may trace some relation in the mythology. After Isis had recovered the body of Osiris, and the worship of the Osiris and Isis tribes had revived again from the Semitic invasion of Set worshippers, Set again attacked the Osiris worship, and scattered the body of Osiris into fourteen parts in different places. This refers probably to the distribution of parts of the body to different districts, when it was cut up in the funeral ceremonies, according to prehistoric usage. These parts of Osiris were kept at sixteen nomes in Egypt in historic times, six in the Nile valley and ten in the Delta, probably the original nomes of the country. The civil discord implied in this persecution must have weakened the land; and then came the attack by the hawk worshippers from the south. In the legend of Horbehudti, or Horus of Edfu, we read that the crocodiles and hippopotami (animals of Set), attacked him, and his servants, armed with metal weapons, smote and conquered them, slaying 381 before the city of Edfu. Then the worshippers of Horus allied themselves with the sun worshippers, and “Horbehudti changed his form into that of a winged sun disc,” and “took with him Nekhebt the goddess of the South and Uazet, the goddess of the North, in the form of two serpents, that they might destroy their enemies in the bodily forms of crocodiles and hippopotami.” That is to say, the Horus, Ra, and serpent goddess tribes were all allied to attack the domination of the Set tribe. They gradually drove them back, and “Set went forth and cried out horribly”; he was finally struck down at Pa-rehehu. “Thus did Horbehudti, together with Horus, the son of Isis, who had made his form like unto that of Horbehudti.” That is to say, the rest of the Horus worshippers joined the Horus-Ra party.
The final battle and expulsion of Set was at Zaru on the eastern frontier of Egypt. This, in mythological form, seems to give the history of the driving out of the Semitic population of the later prehistoric age, by the dynastic race descending from Upper Egypt, at the close of the prehistoric period. An actual result of this war, all through later times, was the multitude of towns named Samhud, or “United to Behudti,” marking the allies of the Horus party.
HISTORICAL SLATE PALETTES. Of the period of the conquest by the dynastic races, which closed the prehistoric age, there is an invaluable series of monuments carved on slate. These carved slates are the elaborated outcome of the slate palettes used for grinding the face paints throughout the prehistoric age. A similar elaboration of a simple article is familiar in modern times in the snuff-box. A plain receptacle of bone or wood was decorated, plated, made of silver and of gold, inlaid with diamonds and painted with the costliest miniatures, and yet—it was but a snuff-box. So the plain slip of slate was carved into animal outlines, had animals scratched on it, then signs in relief upon it, and at last was covered with the most elaborate carvings, and yet—it was but a paint grinder, and had always the pan for colour carved on it, exactly of the shape of the pans on the painters’ palettes of that age. Every stage can be shown, from a formless slate to an artistic scene in relief. There are many stages to be seen in the artistic development.
A. In the prehistoric age are the scratched outlines.
B. The well-incised elephant is as early as S.D. 33–41; and with it are those signs in low relief.