W

WE have now considered some of the ways in which a universal history, written with special reference to the physical phenomena of the earth as geographical science presents them, may bring into strong relief one large and permanent set of influences which determine the progress or retrogression of each several branch of mankind. Upon the other principles which preside over and direct the composition of such a work, not much need be said. They are, of course, in the main, those which all competent historians will follow in writing the history of any particular people.

But a universal history which endeavours to present in a short compass a record of the course of events in all regions and among all peoples, since none can safely be omitted, is specially exposed to two dangers. One is that of becoming sketchy and viewy. When a large object has to be dealt with on a small scale, it is natural to sum up in a few broad generalisations masses of facts which cannot be described or examined in detail. Broad generalisations are valuable when they proceed from a thoroughly trained mind—valuable, even if not completely verifiable, because they excite reflection. But it is seldom possible to make them exact. They necessarily omit most of the exceptions, and thus suggest a greater uniformity than exists.

Neurdein

THE STONE AGE: HUNTERS RETURNING FROM THE CHASE

From the painting by Ferdinand Cormon

LARGER IMAGE

Need of Care in History

The other danger is that of sacrificing brightness and charm of presentation. When an effort is made to avoid generalisations, and to squeeze into the narrative as many facts as the space will admit, the narrative is apt to become dry, because compression involves the curtailment of the personal and dramatic element. These are the rocks between which every historian has to steer. If he has ample space, he does well to prefer the course of giving all the salient facts and leaving the reader to generalise for himself. If, however, his space is limited, as must needs be the lot of those who write a universal history, the impossibility of going into minute detail makes generalisations inevitable, for it is through them that the result and significance of a multitude of minor facts must be conveyed in a condensed form.