The result of this discovery was, that the former was not allowed to lift a bow during the remainder of the night, the whole burden of its labours being deposited on the shoulders, or perhaps we should rather say the finger-ends, of the stranger, who fiddled away with an apparently invincible elbow.

For several hours the dance went on without interruption, and without any apparent abatement whatever of vigour on the part of the performers; but, at the end of this period, some symptoms of exhaustion began to manifest themselves, which were at length fully declared by a temporary cessation of both the mirth and music.

It was at this interval in the revelries that the unknown fiddler, who had been, by the unanimous voice of the party, installed in Willie’s elevated chair, while the latter was reduced to his place on the floor, stretching himself over the platform, and tapping Willie on the hat with his bow, to draw his attention, inquired of him, in a whisper, if he knew who the lively little girl was that had been one of the partners in the last reel that had been danced.

“Is she a bit red-cheeked, dark-ee’d, and dark-haired lassie, about nineteen or twenty?” inquired Willie, in his turn.

“The same,” replied the fiddler.

“Ou, that’s Jeanie Harrison,” said Willie, “a kind-hearted, nice bit lassie. No a better nor a bonnier in a’ the parish. She’s a dochter o’ Mr Harrison o’ Todshaws, the young couple’s maister, an’ a very respectable man. He’s here himsel, too, amang the lave.”

“Just so,” replied his colleague. And he began to rosin his bow, and to screw his pegs anew, to prepare for the second storm of merriment, which he saw gathering, and threatening to burst upon him with increased fury. Amongst the first on the floor was Jeanie Harrison.

“Is there naebody’ll tak me out for a reel?” exclaimed the lively girl; and without waiting for an answer, “Weel, then, I’ll hae the fiddler.” And she ran towards the platform on which the unknown performer was seated. But he did not wait her coming. He had heard her name her choice, laid down his fiddle, and sprang to the floor with the agility of a harlequin, exclaiming, “Thank ye, my bonny lassie, thank ye for the honour. I’m your man at a moment’s notice, either for feet or fiddle.”

It is not quite certain that Jeanie was in perfect earnest when she made choice of the musician for a partner, but it was now too late to retract, for the joke had taken with the company, and, with one voice, or rather shout, they insisted on her keeping faithful to her engagement, and dancing a reel with the fiddler; and on this no one insisted more stoutly than the fiddler himself. Finding that she could do no better, the good-natured girl put the best face on the frolic she could, and prepared to do her partner every justice in the dance. Willie having now taken bow in hand, his colleague gave him the word of command, and away the dancers went like meteors; and here again the surprise of the party was greatly excited by the performances of our friend the fiddler, who danced as well as he played. To say merely that he far surpassed all in the room would not, perhaps, be saying much; for there were none of them very great adepts in the art. But, in truth, he danced with singular grace and lightness, and much did those who witnessed it marvel at the display. Neither was his bow to his partner, nor his manner of conducting her to her seat on the conclusion of the reel, less remarkable. It was distinguished by an air of refined gallantry certainly not often to be met with in those in his humble station in life. He might have been a master of ceremonies; and where the beggarly-looking fiddler had picked up these accomplishments every one found it difficult to conjecture.

On the termination of the dance, the fiddler—as we shall call him, par excellence, and to distinguish him from Willie—resumed his seat and his fiddle, and began to drive away with even more than his former spirit; but it was observed by more than one that his eye was now almost constantly fixed, for the remainder of the evening, as, indeed, it had been very frequently before, on his late partner, Jeanie Harrison. This circumstance, however, did not prevent him giving every satisfaction to those who danced to his music, nor did it in the least impair the spirit of his performances; for he was evidently too much practised in the use of the instrument, which he managed with such consummate skill, to be put out, either by the contemplation of any chance object which might present itself, or by the vagaries of his imagination.