“One of his most thorough criticisms is that of Eugene O’Neill, whom he thinks the greatest dramatist of the present day. Other essays in the volume are of less importance; they are correct but commonplace, and interesting chiefly for the gossip they contain.”
+ − N Y Evening Post p10 D 31 ’20 160w
“He has studied the drama of the past as thoroughly as he has mastered the drama of the present. In other words, his preparation for dramatic criticism is far more than adequate; it is exceptionally ample. To this substantial equipment for his task he adds also the other three qualifications which a critic ought to possess—insight and sympathy and disinterestedness.” Brander Matthews
+ N Y Times p4 Ja 30 ’21 1600w
HAMILTON, COSMO. Blue room. il *$1.90 (2c) Little
20–18662
Bill Mortimer comes back from the war with an intense desire to settle down and be happy with a wife and family. His past has been lurid, and he has memories locked in his “Blue room” which he wishes he could forget. His pal, Teddy Jedburgh, on the other hand, having walked the paths of rectitude in his youth, is inclined to kick over the traces and go the pace now. Both men fall in love with the same girl, a “Miss Respectable,” a “flower of a girl, with the dew on her and a morning hymn in her eyes.” Bill is the successful suitor and plans for the wedding are quickly made. Then just on the eve of the ceremony, Martha discovers Bill’s blue room, and, disillusioned and bitter, knows not which way to turn. It is Teddy who decides for her whether she shall, at the last moment, run away and refuse to marry Bill, or, letting the dead past bury its dead, carry on and marry him.
“The tale is told in a style of consistent and complacent banality, the very style of the movie commentator.” H. W. Boynton
− Bookm 52:342 Ja ’21 360w N Y Evening Post p10 N 6 ’20 100w