Philosophical discussions communicated to Joan and Darby, the anonymous authors of this book—by a young soldier who had recently died, or “graduated,” and was living and working “on the other side.” In the beginning this spirit gave proof of his identity, which the authors quite accidently found corroborated. The communications center about “quality of consciousness.” Our development is both qualitative and quantitative. At birth we are given quality of soul—which is definitely fixed—a rebirth of a certain quality of consciousness, which has been developing on the other side, into our human body. During our earth life, if we are true to our “quality,” we develop quantity of soul, which upon our “graduation” we bring as our contribution to the whole of consciousness on the other side. There are many rebirths, until the supreme consciousness is reached. Joan and Darby at first were very material skeptics, holding fast to the theories of subconsciousness, telepathy, etc., but in the end were quite convinced.
“In view of the unconvincing and emotional quality of many of the popular books upon psychical research, the readers of ‘Our unseen guest’ will be inclined to [say]—‘the best thing of the kind!’” Margaret Deland
+ N Y Times 25:4 Je 27 ’20 1250w
“Wordy nonsense as this is, it is more coherent because more modest than most of the revelations from the beyond; the evasion (in the vernacular bluff) is more transparent, less likely to produce the semblance of profundity by which the judgment is soothed to a blissful ignorance mistaken for knowledge.” Joseph Jastrow
+ − Review 3:43 Jl 14 ’20 350w
OVERTON, GRANT MARTIN. Mermaid. il *1.75 (2c) Doubleday
20–1891
A story of the sea and of sea-faring life seen from the coast and a coast-guard station. Captain Smiley and his crew have rescued a little girl of six, the only survivor of a wreck, and have called her Mermaid, from the ship’s name. With the captain as Dad and the crew as uncles she lives a life full of poetry and adventure. In spite of her name she grows into a sane and healthy womanhood, surrounded in her school days by boy friendships that later turn into love. From among these she chooses Guy Vanton the lonely poet boy, shadowed by a dark family history. In the course of the story several family histories of the old coast town are revealed and withal much human nature, some philosophy and the light of a new era is shown to lay old ghosts and to conquer old fears. Mermaid’s husband, Guy, pays for his conquest with his life, and Dick Hand, overstepping conventions with the courage of love, reaps his reward.
OVINGTON, MARY WHITE. Shadow. *$1.75 (2c) Harcourt