ST MARS, F. Way of the wild (Eng title, Pinion and paw). il *$2 (2c) Stokes 590.4
20–100
Epics of the wild would truly characterize these tales of thrilling adventures of wild things in their own haunts. They are not natural history but stories of animals befitting their characters as men conceive them. Thus in “Gulo the indomitable” we see the wolverine—most hated of all the animals among themselves, with a character “that came straight from the devil,” and with brains “that only man, and no beast, ought to be trusted with”—and his ghoulish escapades. The weak and the powerful, the four-footed and the winged tribes, even the legless viper, engage our human sympathies for their fears, their passions, their struggles and their wiles. Contents: Gulo the indomitable; Blackie and co.; Under the yellow flag; Nine points of the law; Pharaoh; The cripple; “Set a thief”; The where is it? Lawless little love; The king’s son; The highwayman of the marsh; The furtive feud; The storm pirate; When nights were cold; Fate and the fearful; The eagles of Loch Royal; Ratel, V. C.; The day; Illustrations.
“Real art here, with the scientist’s passion for strict accuracy. It is a book for the whole family, a book to be kept and cherished and handed on to the children as they grow old enough to appreciate it.” Hildegarde Hawthorne
+ N Y Times p4 D 5 ’20 150w
SAINT-SAËNS, CAMILLE. Musical memories; tr. by Edwin Gile Rich. il *$3 Small 780.4
19–15405
“This book is virtually an autobiography, but the story of the author’s life is told briefly, so as to leave room for chapters on Rossini, Meyerbeer, Offenbach, Viardot, Louis Gallet, Delsarte, Victor Hugo, which, however, are also more or less autobiographic, for these were among his friends. The English volume omits some of the chapters in the original French edition and changes the order of others.” (Bookm) “Contents: Memories of my childhood; The old conservatoire; Victor Hugo; The history of an opéra-comique; Louis Gallet; History and mythology in opera; Art for art’s sake; Popular science and art; Anarchy in music; The organ; Joseph Haydn and the ‘Seven words’; The Liszt centenary at Heidelberg (1912); Berlioz’s requiem; Pauline Viardot; Orphée; Delsarte; Seghers; Rossini; Jules Massenet; Meyerbeer; Jacques Offenbach; Their majesties; Musical painters.” (Pittsburgh)