“Mme Duclaux not only possesses the comprehensive vision that makes possible a synoptic view of surface phenomena, but she is gifted with that rarer sight which pierces, embraces and understands.” B. R. Redman
+ |N Y Times p15 Ag 22 ’20 2500w
“Gives a better account of the most modern French literature than has yet been published in English.”
+ |Spec 124:587 My 1 ’20 530w
“One’s first impulse, on reading Mme Duclaux’s book, is to cry, Here is a book by some one who knows what she is talking about! The impulse is too strong to be restrained, because the event is so rare in this field of literary criticism.”
+ The Times [London] Lit Sup p137 F 26 ’20 1850w
DUGANNE, PHYLLIS. Prologue. *$2 (2c) Harcourt
20–14598
This is the story of Rita Moreland’s life during her teens, when she is developing from little girlhood to womanhood. The only child of a rather unsatisfactory marriage, she has some difficulty in adjusting herself to life. The story tells of her family life, her schooling, her home in New York, where she vibrates between Fifth avenue and Greenwich Village, her friends, and more especially her relations with the masculine sex. She alternates between perfect happiness and periods of bored discontentment with everything and can’t seem to “find herself.” The war finds her at work in an office, but the end of the war brings back to her Donald, with whom, at the story’s close, she stands at “the beginnings of things.”