− + N Y Call p11 S 12 ’20 580w
“It is a book that all employers of labor ought to read, because whether or not they have sensed that new era, or even entered upon it, they will find in it eye-opening ideas, helpful suggestions. It is a book that all laboring men who have begun to think ought to read, because it will set them on the right track in their thinking.”
+ N Y Times p30 Ag 22 ’20 780w R of Rs 62:110 Jl ’20 30w Survey 44:638 Ag 16 ’20 130w
FELLOWES, EDMUND HORACE, ed. English madrigal verse, 1588–1632. (Oxford English texts) *$6.25 Oxford 821:04
20–17023
“This is a reprint of the known words of Elizabethan songs, arranged under their composers and, among these, under the particular type of song, with the names of the poets in the few cases where they are known. In all of these songs both words and voice part were paramount. For if, as in the first half of the book, they were madrigals (for from three to six voices), each voice was sovran in turn, and each vied with the other in the amount of meaning it could impress on the words. If, as in the second half, they were solos or duets, then they had the sketchy accompaniment of the lute, or the support of veiled and velvety-toned viols. The first are necessarily short, for the madrigal form required much repetition of words; pithy, for if a voice is only to be heard at intervals it should have something terse to say; and conventional, for you cannot put intimate sentiments into the mouths of half a dozen different people in succession. The second are more elaborate. They are all true lyrics in that they take one point and press it home.”—The Times [London] Lit Sup
“To all who love the lyric, English madrigal verse will be a genuine delight. Its careful editing makes the musical construction quite clear, and the material is indeed a treasury of quaint verse.” C. K. H.
+ Boston Transcript p3 D 1 ’20 680w
“A learned and careful work which only a scholar both in literature and in music could have brought to a conclusion.”