The study of academic design is of the utmost importance to the young architect, and unfortunately the opportunities for such study in the usual routine of office practice are not very extensive. The working out each season of two or three such designs as those required by the Beaux-Arts Society will be of material benefit to the older men who are already familiar with the academic methods of design, and of much more benefit to the younger men whose opportunities have been more limited. The criticism and suggestion of the older men in the profession is easily obtained while the work is in progress. Nothing could be better calculated to foster a certain esprit de corps, which is certainly a desirable quality in any club.
The personnel of the Cleveland Club is as follows: Benj. S. Hubbell, president; Harry S. Nelson, vice-president; Herbert B. Briggs, secretary; Perley H. Griffin, librarian; E. E. Noble, treasurer; W. D. Benes and Wilbur M. Hall, members of the executive board. The officers and Robert Allen, Frederick Baird, J. W. Russell, G. B. Bohm, Williard Hirsh, Ray Rice, Albert E. Skeel, and C. S. Schneider constitute the charter membership.
Books.
Church of Sancta Sophia, Constantinople: A Study of Byzantine Building. By W. R. Lethaby and Harold Swainson. Macmillan & Co. 1894. 307 pages with illustrations. $6.50.
It seems especially fitting that a notice of Mr. Lethaby's work on the church of Sta. Sophia, or as he calls it Sancta Sophia, should appear in the same issue with the beautiful Byzantine capitals from Ravenna, which we publish this month. In the description of this work from Ravenna, on another page, the connection is pointed out between Constantinople, the capital of the Roman Empire in the East, and Ravenna, then the Western capital.
The work before us is an important and exhaustive study, both architecturally and historically, of this beautiful building, which Mr. Van Brunt has called "the central building of the world." Nothing has ever been done in enriching interiors which approaches in splendor the best work of the Byzantine builders, and Sta. Sophia, by general consent, is the most beautiful of the Byzantine churches; but its exterior is by no means without faults, and its claim for distinction would fall if supported only by this.
The book takes up in order the history of Sta. Sophia, with citations of various authorities for statements concerning its early history; accounts of the various vicissitudes through which it has passed; its construction, lighting, details, mosaics, etc., all carefully and conscientiously described, the descriptive portion based on a painstaking study of the building itself. The illustrations which accompany the text are numerous and excellent; there is no attempt to furnish illustrations at large scale, which are already accessible in Salzenberg.
The monumental work of Salzenberg, which has been the architect's reference book for Sta. Sophia, is referred to and largely quoted from.