"Way, Mosou," replied that official, in the sweet Belgian-French language, and let us out of the fly. We had been so long cramped up in it that we were glad to walk, and stand, and look about the court while our food was got ready.
The organ-grinder had not ceased grinding out his polka for a moment. The wiry screams of his infernal machine seemed to charm him as much as they did the rest of the company assembled. He was the usual Savoyard, with a face like a burnt crust; all fire-brown eyes, sable ringlets, and insane grimace. He leaned against a low stone post, and ground out that horrible bray, like a grinning maniac. We walked to a short distance, and took in the scene.
A little sallow young man, having a bushy mustache, stood near a door into the house, with a dish in his hand, as if he had been transfixed in the act of carrying it somewhere. Beside him, on the step of the door, sat a blonde young woman, with large blue eyes and a little mouth—as pretty and as fade as a Carlo-Dolcian Madonna. Evidently these were the landlord and his lady.
On a garden-bench, by the low wall that divided the court from the garden beyond, sat, a little apart, a young person of a decidedly French aspect, dressed quite plainly, but with Parisian precision, in black silk. In her hand and on her lap lay some white embroidery. She was not pretty, but had neat, small features, that wore a pleasant though rather sad smile, as she suspended her work to watch what was going on. An old woman in a dark-blue gown and a clean cap, with a pile of freshly-ironed linen in her arms, stood at the top of some steps leading into a little building which was probably the laundry. She was wagging her old head merrily to the dance tune. Other lookers-on lounged about, but some of them had vanished since our arrival—for instance, the fishy-eyed waiter and a burly individual in a white nightcap.
The centre of attraction remains to be described. Within a few paces of the organ-grinder, a little girl and boy danced indefatigably on the stones, to the unmusical music of his box. The little boy was a small, fair, sickly child, in a linen blouse, and about four years old. He jumped, and stamped, and [{108}] laughed excitedly. The little girl looked about a year older. She was plump and rosy, dressed in a full pink frock and black silk apron. She had light brown hair, cut short and straight, like a boy's. She danced very energetically, but solemnly, without a smile on her wee round mouth. She poussetted, she twirled—her pink frock spread itself out like a parasol. Her fat little bare arms akimbo, she danced in a gravely coquettish, thoroughly business-like way; now crossing, changing places with her partner; now setting to him, with little pattering feet; now suddenly whisking and whirling off. The little boy watched her, and followed her lead: she was the governing spirit of the dance. Both children kept admirable time. They were dancing the tarantella, though they had never heard of it; but of all the poetry of motion, the tarantella is the most natural measure to fall into.
The organ-grinder ground, and grinned, and nodded; the landlord and his wife exchanged looks of admiration and complacency whenever they could take their eyes off the little dancing nymph: it was easy to see they were her proud parents. The quiet young lady on the bench looked tenderly at the tiny, sickly boy, as he frisked. We felt sure she was his mother. His eyes were light blue, not hazel; but he had the same neat little features.
All of a sudden, down from an open window looking into the court, there came an enormous voice—
"Ah, ah! Bravo! Ah, ah, Monsieur Babébibo-BOU!"
The little boy stopped dancing; so did the little girl, and every one looked up at the window. The little boy, clapping his hands and screaming with glee, ran under it. No one could be seen at that aperture, but we had caught a momentary glimpse of a big blond man in a blue blouse, who had instantly dropped out of sight, and who was crouching on the floor, for we saw, though the child below could not, the top of his straw hat just above the window-edge. The little boy screamed, "Papa, papa!" The great voice, making itself preternaturally gruff, roared out—
"Qui est là? Est-ce par chance Monsieur Babébibo-BOU?" (The first syllables very fast, the final one explosive.)