in the passage in the Acts, "As they ministered to the Lord and fasted," which again is a sacerdotal term. And such the passage in Rom. xv. 16, in which several terms are used which have an allusion to the sacrificial eucharistic rite. Such, too, is St. Paul's repeated message to the household of Onesiphorus, with no mention of Onesiphorus himself, but in one place, with the addition of a prayer that "he might find mercy of the Lord" in the day of [{67}] judgment, which, taking into account its wording and the known usage of the first centuries, we can hardly deny is a prayer for his soul. Other texts there are which ought to find a place in ancient controversies, and the omission of which by the fathers affords matter for more surprise; those, for instance, which, according to Middleton's rule, are real proofs of our Lord's divinity, and yet are passed over by Catholic disputants; for these bear upon a then existing controversy of the first moment and of the most urgent exigency.
As to the second objection which I have supposed, so far from allowing it, I consider that it is built upon a mere imaginary fact, and that the truth of the matter lies in the very contrary direction. The Virgin and Child is not a mere modern idea; on the contrary, it is represented again and again, as every visitor to Rome is aware, in the paintings of the Catacombs. Mary is there drawn with the Divine Infant in her lap, she with hands extended in prayer, he with his hand in the attitude of blessing. No representation can more forcibly convey the doctrine of the high dignity of the mother, and, I will add, of her power over her Son. Why should the memory of his time of subjection be so dear to Christians, and so carefully preserved? The only question to be determined, is the precise date of these remarkable monuments of the first age of Christianity. That they belong to the centuries of what Anglicans call the "undivided church" is certain; but lately investigations have been pursued which place some of them at an earlier date than any one anticipated as possible. I am not in a position to quote largely from the works of the Cavaliere de Rossi, who has thrown so much light upon the subject; but I have his "Imagini Scelte," published in 1863, and they are sufficient for my purpose. In this work he has given us from the Catacombs various representations of the Virgin and Child; the latest of these belong to the early part of the fourth century, but the earliest he believes to be referable to the very age of the apostles. He comes to this conclusion from the style and the skill of the composition, and from the history, locality, and existing inscriptions of the subterranean in which it is found. However, he does not go so far as to insist upon so early a date; yet the utmost liberty he grants is to refer the painting to the era of the first Antonines--that is, to a date within half a century of the death of St. John. I consider then that, as you fairly use, in controversy with Protestants, the traditional doctrine of the church in early times, as an explanation of the Scripture text, or at least as a suggestion, or as a defence, of the sense which you may wish to put on it, quite apart from the question whether your interpretation itself is traditional, so it is lawful for me, though I have not the positive words of the fathers on my side, to shelter my own interpretation of the apostle's vision under the fact of the extant pictures of Mother and Child in the Roman Catacombs. There is another principle of Scripture interpretation which we should hold with you--when we speak of a doctrine being contained in Scripture, we do not necessarily mean that it is contained there in direct categorical terms, but that there is no other satisfactory way of accounting for the language and expressions of the sacred writers, concerning the subject-matter in question, than to suppose that they held upon it the opinions which we hold; that they would not have spoken as they have spoken unless they held it. For myself I have ever felt the truth of this principle, as regards the Scripture proof of the Holy Trinity; I should not have found out that doctrine in the sacred text without previous traditional teaching; but when once it is suggested from without, it commends itself as the one true interpretation, from its appositeness, because no other view of doctrine, which can be ascribed to the inspired writers, so happily [{68}] solves the obscurities and seeming inconsistencies of their teaching. And now to apply what I have said to the passage in the Apocalypse.
If there is an apostle on whom, à priori, our eyes would be fixed, as likely to teach us about the Blessed Virgin, it is St. John, to whom she was committed by our Lord on the cross--with whom, as tradition goes, she lived at Ephesus till she was taken away. This anticipation is confirmed à posteriori; for, as I have said above, one of the earliest and fullest of our informants concerning her dignity, as being the second Eve, is Irenaeus, who came to Lyons from Asia Minor, and had been taught by the immediate disciples of St. John. The apostle's vision is as follows:
"A great sign appeared in heaven; a woman clothed with the sun, and the moon under her feet; and on her head a crown of twelve stars. And being with child, she cried travailing in birth, and was in pain to be delivered. And there was seen another sign in heaven; and behold a great red dragon . . . And the dragon stood before the woman who was ready to be delivered, that, when she should be delivered, he might devour her son. And she brought forth a man-child, who was to rule all nations with an iron rod; and her son was taken up to God and to his throne. And the woman fled into the wilderness." Now I do not deny, of course, that, under the image of the woman, the church is signified; but what I would maintain is this, that the holy apostle would not have spoken of the church under this particular image unless there had existed a Blessed Virgin Mary, who was exalted on high, and the object of veneration to all the faithful.
No one doubts that the "man-child" spoken of is an allusion to our Lord; why, then, is not "the woman" an allusion to his mother? This surely is the obvious sense of the words; of course it has a further sense also, which is the scope of the image; doubtless the child represents the children of the church, and doubtless the woman represents the church; this, I grant, is the real or direct sense, but what is the sense of the symbol? who are the woman and the child? I answer, They are not personifications but persons. This is true of the child, therefore it is true of the woman.
But again: not only mother and child, but a serpent, is introduced into the vision. Such a meeting of man, woman, and serpent has not been found in Scripture, since the beginning of Scripture, and now it is found in its end. Moreover, in the passage in the Apocalypse, as if to supply, before Scripture came to an end, what was wanting in its beginning, we are told, and for the first time, that the serpent in Paradise was the evil spirit. If the dragon of St. John is the same as the serpent of Moses, and the man-child is "the seed of the woman," why is not the woman herself she whose seed the man-child is? And, if the first woman is not an allegory, why is the second? if the first woman is Eve, why is not the second Mary?
But this is not all. The image of the woman, according to Scripture usage, is too bold and prominent for a mere personification. Scripture is not fond of allegories. We have indeed frequent figures there, as when the sacred writers speak of the arm or sword of the Lord; and so too when they speak of Jerusalem or Samaria in the feminine; or of the mountains leaping for joy, or of the church as a bride or as a vine; but they are not much given to dressing up abstract ideas or generalizations in personal attributes. This is the classical rather than the Scripture style. Xenophon places Hercules between Virtue and Vice, represented as women; AEschylus introduces into his drama Force and Violence; Virgil gives personality to public rumor or Fame, and Plautus to Poverty. So on monuments done in the classical style, we [{69}] see virtues, vices, rivers, renown, death, and the like, turned into human figures of men and women. I do not say there are no instances at all of this method in Scripture, but I say that such poetical compositions are strikingly unlike its usual method. Thus we at once feel its difference from Scripture, when we betake ourselves to the Pastor of Hermes, and find the church a woman, to St. Methodius, and find Virtue a woman, and to St. Gregory's poem, and find Virginity again a woman. Scripture deals with types rather than personifications. Israel stands for the chosen people, David for Christ, Jerusalem for heaven. Consider the remarkable representations, dramatic I may call them, in Jeremiah, Ezechiel, and Hosea; predictions, threatenings, and promises are acted out by those prophets. Ezechiel is commanded to shave his head, and to divide and scatter his hair; and Ahias tears his garment, and gives ten out of twelve parts of it to Jeroboam. So, too, the structure of the imagery in the Apocalypse is not a mere allegorical creation, but is founded on the Jewish ritual. In like manner our Lord's bodily cures are visible types of the power of his grace upon the soul; and his prophecy of the last day is conveyed under that of the fall of Jerusalem. Even his parables are not simply ideal, but relations of occurrences which did or might take place, under which was conveyed a spiritual meaning. The description of Wisdom in the Proverbs, and other sacred books, has brought out the instinct of commentators in this respect. They felt that Wisdom could not be a mere personification, and they determined that it was our Lord; and the later of these books, by their own more definite language, warranted that interpretation. Then, when it was found that the Arians used it in derogation of our Lord's divinity, still, unable to tolerate the notion of a mere allegory, commentators applied the description to the Blessed Virgin. Coming back then to the Apocalyptic vision, I ask, If the woman must be some real person, who can it be whom the apostle saw, and intends, and delineates, but that same great mother to whom the chapters in the Proverbs are accommodated? And let it be observed, moreover, that in this passage, from the allusion in it to the history of the fall, she may be said still to be represented under the character of the second Eve. I make a further remark; it is sometimes asked, Why do not the sacred writers mention our Lady's greatness? I answer, she was, or may have been, alive when the apostles and evangelists wrote; there was just one book of Scripture certainly written after her death, and that book does (if I may so speak) canonize her.
But if all this be so, if it is really the Blessed Virgin whom Scripture represents as clothed with the sun, crowned with the stars of heaven, and with the moon as her footstool, what height of glory may we not attribute to her? and what are we to say of those who, through ignorance, run counter to the voice of Scripture, to the testimony of the fathers, to the traditions of East and West, and speak and act contemptuously toward her whom her Lord delighteth to honor?
Now I have said all I mean to say on what I have called the rudimental teaching of antiquity about the Blessed Virgin; but, after all, I have not insisted on the highest view of her prerogatives which the fathers have taught us. You, my dear friend, who know so well the ancient controversies and councils, may have been surprised why I should not have yet spoken of her as the Theotocos; but I wished to show on how broad a basis her greatness rests, independent of that wonderful title; and again, I have been loth to enlarge upon the force of a word, which is rather matter for devotional thought than for polemical dispute. However, I might as well not [{70}] write on my subject at all as altogether be silent upon it.
It is, then, an integral portion of the faith fixed by ecumenical council, a portion of it which you hold as well as I, that the Blessed Virgin is Theotocos, Deipara, or Mother of God; and this word, when thus used, carries with it no admixture of rhetoric, no taint of extravagant affection; it has nothing else but a well-weighed, grave, dogmatic sense, which corresponds and is adequate to its sound. It intends to express that God is her Son, as truly as any one of us is the son of his own mother. If this be so, what can be said of any creature whatever which may not be said of her? what can be said too much, so that it does not compromise the attributes of the Creator? He, indeed, might have created a being more perfect, more admirable, than she is; he might have endued that being, so created, with a richer grant of grace, of power, of blessedness; but in one respect she surpasses all even possible creations, viz., that she is Mother of her Creator. It is this awful title, which both illustrates and connects together the two prerogatives of Mary, on which I have been lately enlarging, her sanctity and her greatness. It is the issue of her sanctity; it is the source of her greatness. What dignity can be too great to attribute to her who is as closely bound up, as intimately one, with the Eternal Word, as a mother is with a son? What outfit of sanctity, what fulness and redundance of grace, what exuberance of merits must have been hers, on the supposition, which the fathers justify, that her Maker regarded them at all, and took them into account, when he condescended "not to abhor the Virgin's womb?" Is it surprising, then, that on the one hand she should be immaculate in her conception? or on the other that she should be exalted as a queen, with a crown of twelve stars? Men sometimes wonder that we call her mother of life, of mercy, of salvation; what are all these titles compared to that one name, Mother of God?