Behind the church we shall find the oasis of this desert. Supported by the rear wall of the edifice is a gate, opening into a wide and vast court, which leads to the chapel of Saint Anna, the patroness of the place. Built against the side of the chapel is the small and humble dwelling of the custodian, who is both singer and sacristan of the church. In this enclosure we shall see century-old cypresses, thick foliaged and sombre; the lilac, of stem so slight and rapid growth, lavishing leaves, flowers, and perfumes upon the wind, as if conscious that its life is short; the orange, that grand seigneur, that favorite son of the soil of Andalusia, to whom it yields a life so sweet and long. We shall see the vine, which, like a child, needs the help of man to thrive and rise, and which spreads its broad leaves as if to caress the trellis that supports it. For it is certain that even plants have their individual characters from which we receive different impressions. We can hardly see a cypress without sadness, a lilac without tenderness, an orange-tree without admiration. Does not the lavender suggest the thought of a neat and peaceful interior; and the rosemary, perfume of holy night, does it not awaken the wholesome and sacred thoughts of that season?

To the right and left of the place extend those interminable olive plantations, which form the principal branch of the agriculture of Andalusia. The trees being planted well apart from each other give a cheerful air to these groves, but the ground underneath, kept so level and free from other vegetation by the plough, renders them wearisomely monotonous. At certain distances we encounter the groups of buildings which belong to the estates. These are constructed without taste or symmetry, and we may go all round them without finding the front. There is nothing imposing about these great masses, or structures, except the towers of their windmills, which rise above the olives as if to count them. The most of these estates belong to the aristocracy of Seville, but they are generally deserted because the ladies do not like to live in the country, and are therefore as desolate and as empty as barns, so that in these out-of-the-way places, the silence is only broken by the crowing of the cock, while he vigilantly guards his seraglio, or by the braying of some superannuated ass, that, turned out by the overseer to take his ease, tires of his solitude.

At the close of a beautiful day in January, in the year 1810, might have been heard the fresh voice of a youth of some twenty years, who, with his musket upon his shoulder, was walking with a firm but light step along one of the footpaths which are traced through the olive groves. His figure was straight, tall, and slight. His person, his air, his walk, had the ease, the grace, and the elegance which art endeavors to create, and which nature herself lavishes upon the Andalusians with generous hand. His head, covered with black curls, a model of the beautiful Spanish type, he carried erect and proudly. His large eyes were black and vivid; his look frank and full of intelligence. His well-formed upper lip, shortened with an expression of cheerful humor, showed his white and brilliant teeth. His whole person breathed a superabundance of life, health, and strength. A silver button fastened the snowy shirt at his brown throat. He wore a short jacket of gray cloth, short trowsers, tied at the knee with cords and tassels of silk, and a yellow silk girdle passed several times around his waist. Leather shoes and gaiters of the same, finely stitched, encased his well-formed feet and legs. A wide-brimmed Portuguese hat, adorned with a velvet band and silk tassels, and jauntily inclined toward the left side, completed the elegant Andalusian dress.

This youth, noted for his active disposition, and for his impulsive and daring character, was employed by the superintendent of one of the estates to act as guard during the olive gathering. He sang as he went along:

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"The way is short, my step is light,
I loiter not, nor do I weary;
The path seems downward--easy trod,
When up the hill I climb to Mary.
"But long the road, and oh! how steep!
My lingering footsteps slow and weary;
The mountains seem before me piled
When down the hill I come from Mary."

Arriving at the paling which enclosed the plantation the guard sprang over it without stopping to look for the gate, and found himself in a road face to face with another youth a little older than himself, who was also going toward the village. He was dressed in the same manner, but he was neither so tall nor so erect as the former.

His eyes were gray, and not so vivid, and his glance was more tranquil, his mouth was graver and his smile sweeter. Instead of a gun he carried a spade upon his shoulder. An ass preceded him without being driven, and he was followed by an enormous dog, with short thick hair of a whitish yellow color, of the fine race of shepherd-dogs of Estremadura.

"Halloo! Is this you, Perico? God bless you!" exclaimed the elegant guard.

"And you, too, Ventura, are you coming to take a rest?"