But when St. Benedict was sent as a lad to Rome, the inclination toward the severer form of ascetic life, that of anchorites and hermits, had received an impulse by the works of the great fathers of the church, already alluded to; and the pensive student, buried in these more congenial studies, became imbued with their spirit, and was soon fired with a romantic longing for a hermit life. At the tender age of fifteen, unable to endure any longer the dissonance between his desires and his surroundings, he flood from Rome, and took refuge in a wild, cavernous spot in the neighboring country. As he left the city he was followed by a faithful nurse, Cyrilla by name, who had brought him up from childhood, had tended him in his sojourn at Rome, and now, though lamenting his mental derangement, as she regarded it, resolved not to leave her youthful charge to himself, but to watch over him and wait upon him in his chosen seclusion. For some time this life went on, St. Benedict becoming more and more attached to his hermitage, and the nurse, despairing of any change, begged his food from day to day, prepared it for him, and watched over him with a mother's tenderness. A change then came over the young enthusiast, and he began to feel uneasy under her loving care. It was not the true hermit life, not the realization of that grand idea of solitude with which his soul was filled; and under the impulse of this new emotion he secretly fled from the protection of his foster-mother, and, without leaving behind him the slightest clue to his pursuit, hid himself among the rocks of Subiaco, or, as it was then called, Sublaqueum, about forty miles distant from Rome. At this spot, which was a range of bleak, rocky mountains with a river and lake below in the valley, he fell in with one Romanus, a monk, who gave him a monastic dress, with a hair shirt, led him to a part on the mountains where there was a deep, narrow cavern, into which the sun never penetrated, and here the young anchorite took up his abode, subsisting upon bread and water, or the scanty provisions which Romanus could spare him from his own frugal repasts; these provisions the monk used to let down to him by a rope, ringing a bell first to call his attention. For three years he pursued this life, unknown to his friends, and cut off from all communication with the world; but neither the darkness of his cavern nor the scantiness of his fare could preserve him from troubles. He was assailed by many sore temptations.
One day that solitude was disturbed by the appearance of a man in the [{153}] garb of a priest, who approached his cave and began to address him; but Benedict would hold no conversation with the stranger until they had prayed together, after which they discoursed for a long time upon sacred subjects, when the priest told him of the cause of his coming. The day happened to be Easter Sunday, and as the priest was preparing his dinner, he heard a voice saying, "You are preparing a banquet for yourself, whilst my servant Benedict is starving;" that he thereupon set out upon his journey, found the anchorite's cave, and then producing the dinner, begged St. Benedict to share it with him, after which they parted. A number of shepherds, too, saw him near his cave, and as he was dressed in goat-skins, took him at first for some strange animal; but when they found he was a hermit, they paid their respects to him humbly, brought him food, and implored his blessing in return.
The fame of the recluse of Subiaco spread itself abroad from that time through the neighboring country; many left the world and followed his example; the peasantry brought their sick to him to be healed, emulated each other in their contributions to his personal necessities, and undertook long journeys simply to gaze upon his countenance and receive his benediction. Not far from his cave were gathered together in a sort of association a number of hermits, and when the fame of this youthful saint reached them they sent a deputation to ask him to come among them and take up his position as their superior. It appears that this brotherhood had become rather lax in discipline, and, knowing this, St. Benedict at first refused, but subsequently, either from some presentiment of his future destiny, or actuated simply by the hope of reforming them, he consented, left his lonely cell, and took up his abode with them as their head.
In a very short time, however, the hermits began to tire of his discipline and to envy him for his superior godliness. An event then occurred which forms the second cognizance by which the figure of St. Benedict may be recognized in the fine arts. Endeavors had been made to induce him to relax his discipline, but to no purpose; therefore they resolved upon getting rid of him, and on a certain day, when the saint called out for some wine to refresh himself after a long journey, one of the brethren offered him a poisoned goblet. St. Benedict took the wine, and, as was his custom before eating or drinking anything, blessed it, when the glass suddenly fell from his hands and broke in pieces. This incident is immortalized in stained-glass windows, in paintings, and frescoes, where the saint is either made to carry a broken goblet, or it is to be seen lying at his feet. Disgusted with their obstinacy he left them, voluntarily returned to his cavern at Subiaco, and dwelt there alone. But the fates conspired against his solitude, and a change came gradually over the scene. Numbers were drawn toward the spot by the fame of his sanctity, and by-and-bye huts sprang up around him; the desert was no longer a desert, but a colony waiting only to be organized to form a strong community. Yielding at length to repeated entreaties, he divided this scattered settlement into twelve establishments, with twelve monks and a superior in each, and the monasteries were soon after recognized, talked about, and proved a sufficient attraction to draw men from all quarters, even from the riotous gaieties of declining Rome.
We will mention one or two incidents related of St. Benedict, which claim attention, more especially as being the key to the artistic mysteries of Benedictine pictures. It was one of the customs in this early Benedictine community for the brethren not to leave the church immediately after the divine office was concluded, but to remain for some time in silent mental prayer. One of the brethren, however, took no delight in this holy [{154}] exercise, and to the scandal of the whole community used to walk coolly out of the church as soon as the psalmody was over. The superior remonstrated, threatened, but to no purpose; the unruly brother persisted in his conduct. St. Benedict was appealed to, and when he heard the circumstances of the case, said he would see the brother himself. Accordingly, he attended the church, and at the conclusion of the divine office, not only saw the brother walk out, but saw also what was invisible to every one else--a black boy leading him by the hand. The saint then struck at the phantom with his staff, and from that time the monk was no longer troubled, but remained after the service with the rest.
St. Gregory also relates an incident to the effect that one day as a Gothic monk was engaged on the border of the lake cutting down thistles, he let the iron part of his sickle, which was loose, fall into the water. St. Maur, one of Benedict's disciples--of whom we shall presently speak--happened to be standing by, and, taking the wooden handle from the man, he held it to the water, when the iron swam to it in miraculous obedience.
As we have said, the monasteries grew daily in number of members and reputation; people came from far and near, some belonging to the highest classes, and left their children at the monastery to be trained up under St. Benedict's protection. Amongst this number, in the year 522, came two wealthy Roman senators, Equitius and Tertullus, bringing with them their sons, Maurus, then twelve years of age, and Placidus, only five. They begged earnestly that St. Benedict would take charge of them, which he did, treated them as if they had been his own sons, and ultimately they became monks under his rule, lived with him all his life, and after his death became the first missionaries of his order in foreign countries, where Placidus won the crown of martyrdom. Again, St. Benedict nearly fell a victim to jealousy. A priest named Florentius, envying his fame, endeavored to poison him with a loaf of bread, but failed. Benedict once more left his charge in disgust; but Florentius, being killed by the sudden fall of a gallery, Maurus sent a messenger after him to beg him to return, which he did, and not only wept over the fate of his fallen enemy, but imposed a severe penance upon Maurus for testifying joy at the judgment which had befallen him. The incident of the poisoned loaf is the third artistic badge by which St. Benedict is to be known in art, being generally painted as a loaf with a serpent coiled round it. These artistic attributes form a very important feature in monastic painting, and in some instances become the only guide to the recognition him the subject. St. Benedict is sometimes represented with all these accompaniments--the broken goblet, the loaf with the serpent, and in the background the figure rolling in the briers. St. Bernard, who wrote much and powerfully against heresy, is represented with the accompanying incident in the background of demons chained to a rock, or being led away captive, to indicate his triumphs over heretics for the faith. Demons placed at the feet indicate Satan and the world overcome. Great preachers generally carry the crucifix, or, if a renowned missionary, the standard and cross. Martyrs carry the palm. A king who has resigned his dignity and entered a monastery has a crown lying at his feet. A book held in the hand represents the gospel, unless it be accompanied by pen and ink-horn, when it implies that the subject was an author, as in the case of Anselm, who is represented as holding in his hands his work on the incarnation, with the title inscribed, "Cur Deus Homo," or it may relate to an incident in the life, as the blood-stained book, which St. Boniface holds, entitled "De Bono Mortis," a work he was devotedly fond of, always [{155}] carried about with him, and which was found after his murder in the folds of his dress stained with his blood. But the highest honor was the stigmata or wounds of Christ impressed upon the hands, feet, and side. This artistic pre-eminence is accorded to St. Francis, the founder of the order which bears his name, and to St. Catharine, of Siena. A whole world of history lies wrapped up in these artistic symbols, as they appear in the marvellous paintings illustrative of the hagiology of the monastic orders which are cherished in half the picture galleries and sacred edifices of Europe, and form as it were a living testimony and a splendid confirmation of the written history and traditions of the church.
Although, at the period when we left St. Benedict reinstalled in his office as superior, Christianity was rapidly being established in the country, yet there were still lurking about in remote districts of Italy the remains of her ancient paganism. Near the spot now called Monte Cassino was a consecrated grove in which stood a temple dedicated to Apollo. St. Benedict resolved upon clearing away this relic of heathendom, and, fired with holy seal, went amongst the people, preached the gospel of Christ to them, persuaded them at length to break the statue of the god and pull down the altar; he then burned the grove and built two chapels there--the one dedicated to St. John the Baptist and the other to St. Martin. Higher up upon the mountain he laid the foundation of his celebrated monastery, which still bears his name, and here he not only gathered together a powerful brotherhood, but elaborated that system which infused new vigor into the monastic life, cleared it of its impurities, established it upon a firm and healthy basis, and elevated it, as regards his own order, into a mighty power, which was to exert an influence over the destinies of humanity inferior only to that of Christianity itself. St. Benedict, with the keen perception of genius, saw in the monasticism of his time, crude as it was, the elements of a great system. For five centuries it had existed and vainly endeavored to develop itself into something like an institution, but the grand idea had never yet been struck out--that idea which was to give it permanence and strength. Hitherto the monk had retired from the world to work out his own salvation, caring little about anything else, subsisting on what the devotion of the wealthy offered him from motives of charity; then, as time advanced, they acquired possessions and wealth, which tended only to make them more idle and selfish. St. Benedict detected in all this the signs of decay, and resolved on revivifying its languishing existence by starting a new system, based upon a rule of life more in accordance with the dictates of reason. He was one of those who held as a belief that to live in this world a man must do something--that life which consumes, but produces not, is a morbid life, in fact, an impossible life, a life that must decay, and therefore, imbued with the importance of this fact, he made labor, continuous and daily labor, the great foundation of his rule. His vows were like those of other institutions--poverty, chastity, and obedience--but he added labor, and in that addition, as we shall endeavor presently to show, lay the whole secret of the wondrous success of the Benedictine Order. To every applicant for admission, these conditions were read, and the following words added, which were subsequently adopted as a formula: "This is the law under which thou art to live and to strive for salvation; if thou canst observe it, enter; if not, go in peace, thou art free." No sooner was his monastery established than it was filled by men who, attracted by his fame and the charm of the new mode of life, came and eagerly implored permission to submit themselves to his rule. Maurus and Placidus, his favorite disciples, still [{156}] remained with him, and the tenor of his life flowed on evenly.
After Belisarius, the emperor's general, had been recalled, a number of men totally incapacitated for their duties were sent in his place. Totila, who had recently ascended the Gothic throne, at once invaded and plundered Italy; and in the year 542, when on his triumphant march, after defeating the Byzantine army, he was seized with a strong desire to pay a visit to the renowned Abbot Benedict, who was known amongst them as a great prophet. He therefore sent word to Monte Cassino to announce his intended visit, to which St. Benedict replied that he would be happy to receive him. On receiving the answer he resolved to employ a stratagem to test the real prophetic powers of the abbot, and accordingly, instead of going himself, he caused the captain of the guard to dress himself in the imperial robes, and, accompanied by three lords of the court and a numerous retinue, to present himself to the abbot as the kingly visitor. However, as soon as they entered into his presence, the abbot detected the fraud, and, addressing the counterfeit king, bid him put off a dress which did not belong to him. In the utmost alarm they all fled back to Totila and related the result of their interview; the unbelieving Goth, now thoroughly convinced, went in proper person to Monte Cassino, and, on perceiving the abbot seated waiting to receive him, he was overcome with terror, could go no further, and prostrated himself to the ground. [Footnote 32] St. Benedict bid him rise, but as he seemed unable, assisted him himself. A long conversation ensued, during which St. Benedict reproved him for his many acts of violence, and concluded with this prophetic declaration: "You have done much evil, and continue to do so; you will enter Rome; you will cross the sea; you will reign nine years longer, but death will overtake you on the tenth, when you will be arraigned before a just God to give an account of your deeds." Totila trembled at this sentence, besought the prayers of the abbot, and took his leave. The prediction was marvellously fulfilled; in any case the interview wrought a change in the manner of this Gothic warrior little short of miraculous, for from that time he treated those whom he had conquered with gentleness. When he took Rome, as St. Benedict had predicted he should, he forbade all carnage, and insisted on protecting women from insult; stranger still, in the year 552, only a little beyond the time allotted him by the prediction, he fell in a battle which he fought against Narses, the eunuch general of the Greco-Roman army. St. Benedict's sister, Scholastica, who had become a nun, discovered the whereabouts of her lost brother, came to Monte Cassino, took up her residence near him, and founded a convent upon the principles of his rule. She was, therefore, the first Benedictine nun, and is often represented in paintings, prominent in that well-known group composed of herself, St. Benedict, and the two disciples, Maurus and Placidus.
[Footnote 32: "Quem cum a longe sedentem cerneret, non ausus accedero sese in terram dedit."--St. Greg. Dial., lib. ii., c. 14.]