Such was your Thebaïd, as you call it, the day before I left you, full of warmth and animation, vivid with rising sap and the labor of vegetation. To-day I will wager that the eruption of leaves and flowers is far advanced, that the birds are hopping about in search of moss, twigs, stray feathers, and bits of down, and that you are wandering in spring revery under the first shade of your chestnut trees. But, my friend, are you slumbering serenely on these fair promises? Does it never occur to you that this may be all a stratagem of winter, and that the old despot may have manoeuvred, merely to draw out verdure and blossom, and kill them with his baleful breath? Do you never fear that thus the acme may be reached of our delusions? What if this balmy, perfumed air turned to a north wind; if a black, sharp cold condensed all this living sap, this fecundity now gushing through the veins of nature; if the frost crystallized your woods and their tender leaflets; if your little eddying brooks were to clasp in ice the flower, stems, and stalks of herbs that grow upon their beds and borders; if, instead of nightingales and singing-birds from southern shores, you should see triangles of long-necked geese and swans pouring down from the north, and files of those ducks that we used to hear cutting the clouds with whistling wings on December evenings; if the exterminator, winter, were to kill in one night all these first-born of the year; in short, if your Thebaïd were to turn into a Siberia, what would become of your dreams of plenty, fruits, and flowers, soft siestas under the shade of a tree, songs on the sea-shore, and of that whole existence, nourished upon sunlight, gentle breezes, and sweet odors, that you lead in your dear wilderness?
If you had power over nature, I should say to you: "Give your gardens and woods and birds a lesson of wisdom. Bid those buds that I saw gaping in the sunshine to hold back well in their envelope the leaves entrusted to their care, scare them with the rigors that may surprise them; the brightest sun is a deceiver. Put them on their guard against the wiles of a fair day, teach them to be austere, and tell them the thousand tales you know of flowers that have crumbled into dust because they heeded the lures of a passing breeze or of a glowing sunbeam. Tell them that, if perchance a few be saved amid the general havoc, they will one day bear shrivelled, meagre, tasteless fruit that no fair hand shall ever gather, and that shall wither on the branch or fall a prey to the vile appetite of insects. Tell them that their thin and pallid foliage shall draw disdain upon them from the panting traveller, the young maidens, and the winged musicians that take refuge under their shade to rest or dance or sing. Men will take them for useless cumberers of the earth, and one day [{692}] perhaps the axe will be laid at their root." As to the birds, the best advice you can give them is, to leave their brothers in exile until the first day of true spring shines. It is better to bear banishment a little longer than come home to find their country the wretched slave of winter. Let your birds beware how they recall their brethren or begin to build their own nests. The brood would not prosper; the poor mothers would shiver on their eggs, and the bitter cold, stealing under their wings, would kill the chicks in the shell, despite the warmth of the maternal bosom. Oh! if you had, power over nature, what a discourse I would send you for your Thebaïd, to save it from the seductions of this perfidious spring whose perils I know so well.
Do you take all this seriously, my friend? I fear not, and that you will dismiss it with a smile, as the prattle of a child. I even fear that you may regard my letter as very eccentric, and say to yourself: "What nonsense is this? Talking of woods and flowers to a hermit; wandering on into homilies addressed to birds and flowers, when he is writing from Paris, and not one word of what is stirring in the world! He deserves in punishment that I should send him an essay upon the dramas and romances of last year!" My friend, restrain your wrath, and contain yourself long enough to hear, my reasons.
Horace said: "At Rome I prate of Tiber, and at Tiber I prate of Rome." Don't imagine that my taste is light and changeable as the wind, and thus explain to yourself my long tirades on your solitude. When I was in your Thebaïd, did I ever speak regretfully of the joys of Paris? Did I not, on the contrary, say always that a city life is repugnant to my taste, and that I care not at all for any pleasures to be enjoyed here? Don't you remember how the little rough huts of your tidesmen used to excite my envy, and that I used to have dreams of hollowing out a cool, dark grotto in the heart of a rock in one of your creeks, and letting my life glide away in the contemplation of the vast ocean, like a sea-god? If you recall all this, you'll easily understand why in Paris I talk of the country and forget Paris. Indeed, you will see that it cannot be otherwise; for having said to the fields, as you know,
"Le corps s'en va, mals le cocur vous demeure," [Footnote 199]
my discourse must turn on them, and I can only live in this mad tornado of Paris as not belonging to it.
[Footnote 199: Froissart (manuscript note).]
If you know me well, these reasons will more than suffice to make you understand the beginning of my letter. But will you be able to resist the perpetual impulse that makes you look for mysteries in the clearest things, so insatiable is your taste for divining? No; you will look under the natural sense of my words, and think you have surprised a sly meaning, crouching like a serpent under flowers, beneath my sentences, which breathe only sweet images of spring. I'm not afraid of your discovering some political allusion in them, for you are too solitary, and hold yourself too much aloof from such things for that idea to occur to you. But, if your eyes turn from the arena of politics, they will settle on the noble field of literary doctrines; and because lately the combat has grown hot, and the noise of the mêlée is resounding far and wide, you will fancy that I am a passionate spectator of the struggle, amusing myself with winding the opposing party in subtle mocking allegories. Let me tell you that this interpretation, or any similar one given to my idyl on the precocious spring, misses its aim; that my idyl veils no satire; and that if it seems to you the least in the world insidious or guileful, 'tis only because you've breathed your own malice upon the innocent thing. I repeat, it conies merely to discourse with you about nature; and what can be more natural? Know that never has a ray of sunlight shone directly [{693}] into the room where I live; I receive it only by repercussion. Toward noon the sun strikes some garret windows opposite that send across to me a few pale reflections, without warmth or cheerfulness, like the rays of a lamp; and even this vague, languishing light vanishes in a quarter of an hour. These are the beams that gladden my eyes, accustomed to the broad overflowing liberality of a southern sky. A narrow, sombre court-yard, where there's not a blade of grass growing in the cracks of the pavement, nor a flower-pot on a window-sill to smile upon me—this is the horizon to which I am reduced; I, who so many, many times have scaled with you your rocks and downs and sea-cliffs, whence our eyes embraced the divine expanse of ocean, the marvellous indentures of your coast, and the wide fields all green with wheat and flax. And now that I've fallen from these fair heights into a hole that hardly admits the light of day, do you suppose I shall not try to live over again these charms in imagination, or that I shall talk to you of anything but yourself and your solitude? And you, you cynical recluse, would envenom these sweet, innocent recollections, and find some apologue or another in the images of nature among which I seek recreation? But as I have every reason to suppose that you are not attending to me, and are still working to disentangle the metaphors, let us see if perchance malice can make anything out of my precocious spring, and to what allusion it can be turned.
Interested as you are in literary matters, and attentive to the disturbances that have risen tip lately among our authors, I am sure that it will not be long before the facile literature comes to your mind. Then you will think you have the clew, and with that thread you'll plunge into the labyrinth of my supposed allegory, hoping to emerge maliciously triumphant and content. I allow that, without any extraordinary flights, imagination might pass from the buds, opening prematurely on the faith of a brilliant winter sun, to this young literature, which has burst into blossom before its time, and innocently exposed itself to the returns of frost that I predict to your woods and groves. But, my friend, will you, who rejoice so ardently at sight of an almond-tree in flower, will you reproach severely these trusting souls that have opened in the broad-day light and displayed with touching faith their treasures to the graces of heaven? Blame rather the burning sun of our day, and the atmosphere all charged with fatal heat, which have hastened this development and perhaps reduced the harvest of our age to a few ears.
And the trees whose blossoms are only born to die, and those that bear bitter fruits which no one will ever pluck, or will gather only to throw away—ah! you'll not have much trouble in seeing in them the emblems of the many authors who have appeared once and vanished for ever; the many authors whose books, distasteful to a few grave judges, are welcomed by seekers after novelty and romance readers; and who, having filled these vain souls with vain ideas, often sink into the well of oblivion with hands relaxed by the lethargy that comes from dull satiety.