Glynn weeps to-day by the Shannon's tide,
And Shanid and she that frowns o'er Deal;
There is woe by the Laune and the Carra's side,
And where the knight dwells by the woody Feale.
In Dingle and Beara they chant his dirge:
Far off he faded—our child—sing low!
We have made him a bed by the ocean's surge,
We have made him a bier on the mountain's brow.
The clan was bereft! the old walls they left;
With cries they rushed to the mountains drear.
But now great sorrow their heart has cleft;—
See, one by one they are drawing near!
Ululah! Ululah! Low, sing low!
The flakes fall fast on the little bier;—
The yew-branch and eagle-plume over them throw!
The last of the Desmond chiefs lies here."
We close, far from completing our sketch of the poet. We have not exhausted the volumes before us, and they do not exhaust their author. De Vere has written several other books, mostly of early date—from 1843 to 1850—which one must read to know him entirely. But we are very sure that those who will read the books from which we have drawn our illustrations will read all. There are few authors who grow so upon the reader. Somehow the force and beauty of the thoughts do not impress at first. We think the rationale of the process is that we mostly begin by reading three parts of sound to one of sense. After the melody comes the harmony; gradually, on after-reading, the glitter of the words ceases to dazzle, and then, if ever, we commune mind to mind with the author. This is as rare with modern readers as a hand-to hand bayonet fight in modern battles. Now Aubrey de Vere writes a great deal of thought so very quietly, that we miss the cackling which even talent nowadays is apt to indulge in on laying any supposed golden eggs of wisdom. Hence we have some singular opinions about him. One finds him cold and impassible; another votes him a sort of gentlemanly Fenian visionary, while a third devotes a column of one of our best hypercritical periodicals to viewing him as a mere love-poet. These are all windfall opinions, which had been better ripening on the tree. The grace, the rhythm, and, above all, the stern ascendency of truthful exactness over inaccurate felicities of expression, strike one constantly more and more. We have ourselves passed through these phases of opinion, besides several others; but every day fortifies our final conviction. It is, that Aubrey de Vere is one of those true poets whom the few love well; who will always have admirers, never popularity; and who must wait for his full fame until that distant but coming day when blind, deep movements of unity shall thrill the sects of Christendom, and bigotry no longer veil from the gifted and appreciative the merits of the first Catholic poet of to-day.
From The Lamp.
UNCONVICTED;
OR, OLD THORNELEY'S HEIRS.
CHAPTER X.
UNCONVICTED!
Up to the time when James Ball entered the witness-box, the whole case had been dead against the prisoner. Even the grave doubts which the cross-examination raised about the housekeeper's veracity had passed unsubstantiated by any further evidence or proof; and the cook's story of the footstep on the stairs died out of all reckoning in the modicum of balance left in favor of the accused man when Davis, the chemist, had closed his evidence. But when his luckless assistant got down, after making such astounding admissions, we breathed again, and hopes that had been trampled under foot rose once more with renewed buoyancy. The rigid face of Serjeant Donaldson relaxed into anxious gravity, and the frank, genial countenance of Mr. Forster—Hugh Atherton's contemporary, and at whose side he had fought many a legal battle—shook off its cloud as he sat down and conferred with his senior colleague; whilst I heard a deep sigh of relief burst from Merrivale as he uttered, "Thank God, we have got over that rock!"
Then Donaldson rose. I think I hear and see him still, that grey-headed serjeant, with his rugged Scotch features lighted up by all the earnestness of his will, all the acute intelligence of his mind, as he turned to the jury, and in a voice tremulous with emotion, though it failed not to set forth the firmness of his purpose, and the honest conviction of his soul, opened his defence of Hugh Atherton.
"Though standing at this bar," said Serjeant Donaldson, "with a heavy cloud of accusation overshadowing his hitherto stainless name, though branded by public opinion with the foul epithet of murderer, I can still call Mr. Atherton 'my friend' without a flush of shame; I can yet take him by the hand and feel proud to hail him brother by profession, companion in the same vocation. If," said the Serjeant, raising his voice and looking boldly around him, "the last witness had never been placed before you and made the remarkable revelation which you have all heard, I would still indorse what I have just said, and assert to you, my lords and gentlemen of the jury, my deep and heartfelt conviction of the innocence of the prisoner. But I have other and better grounds upon which to plead before you to-day—the only grounds upon which you can legally and conscientiously find a verdict."