Felix Holt, The Radical. A Novel. By George Eliot, author of Adam Bede, The Mill on the Floss, Silas Marner, Scenes of Clerical Life, Romola, etc. 8vo. pp. 184. New-York: Harper and Brothers. 1866.
Whatever may be thought of the philosophy of this book, there can be no question that, considered simply as a work of art, it is one of the most admirable productions of the day. There are passages in it which deserve to be classed among the gems of English literature, and characters which will live as long as English fiction itself. With Felix Holt, the hero, we are less satisfied than with any of the other personages in the story. Full of generous impulses, and burning with half-formed noble thoughts, he is, after all, when you look at him in cold blood, only an impracticable visionary, who wastes his energy in vain striving after some dimly-seen good, which neither he, nor the reader, nor, we are persuaded, the author herself, fully understands and at the end he drops quietly into a grumbling sort of happy life, no nearer the goal of his indefinite aspirations than he was at the beginning, and having succeeded no further in his schemes for the elevation of the people than persisting in his refusal to brush his own hair, or wear a waistcoat. It is very true that such is generally the end of reformers of his character; the fundamental defect of the book is that the author seems unconscious of the hollowness of Felix's philosophy, and we are not quite sure that she is even conscious of his ultimate failure.
Mrs. Holt, the hero's mother, is an exquisitely humorous conception, who deserves a place by the side of Dickens's Mrs. Nickleby. She never presents her austere "false front," or shows the "bleak north-easterly expression" in her eye, without arousing a smile; and her [{142}] rambling, inconsequential, dolorous conversation is a spring of never-failing merriment. There is a plenty of humor too in several of the minor characters, and there is delicate and unaffected pathos in the fanatical and somewhat wearisome little preacher, Mr. Lyon, and the proud, suffering Mrs. Transome, whoso youthful sin pursues her like an avenging fury, and whose whole sad life, "like a spoiled pleasure-day," has been such an utter, pitiful disappointment. But the charm of the book is in the heroine, Esther Lyon. Never, we believe, has the conception of refined physical beauty been so perfectly conveyed by words as in the delineation of this exquisite character. We are told nothing of Esther's features; we get no inventory of her charms, no description of her person: a few words suffice for all that the author has to tell us of her appearance; but she floats through the book a vision of unsurpassed loveliness. She never enters a room but we are conscious of the tread of dainty little feet, the fine arching of a graceful neck, the gloss of beautiful hair, the soft play of taper fingers, and a delicate scent like the breath of the violet-laden south. The art with which this exquisite effect is kept up all through the book, without repetition, and without the slightest approach toward sensuality, is so perfect that we are tempted to call it a stroke of genius. And the character of Esther is as fascinating as her beauty. The author has thrown her whole heart into the description of the ripening and development of this girl, and the casting aside of the little foibles of her fine-ladyism under the influence of Felix. The scenes between these two strongly contrasted characters are scenes to be read again and again with never increasing delight.
The pictures of English provincial life; the petty talk of ignorant farmers and shopkeepers; the election scenes, the canvassing, the nominations, the tavern discussions, the speeches, and the riot at the polls, are all admirable, and their naturalness is almost startling. There is no exaggeration in any part of the book, and not even in the richest of the humorous scenes is there a single improbable passage.
Essays on Woman's Work. By Bessie Rayner Parkes. Second Edition. 16mo. pp. 240. London: Alexander Strahan, 1866.
The serious questions discussed in this little book have happily a less pressing significance in this country than in England; but even here the problem of how to find suitable employment for destitute educated women is often one of no slight importance, and as years pass on, it will more and more frequently present itself for solution. Miss Parkes approaches the subject not with the visionary notions of a social "reformer," but in a spirit of practical and experienced benevolence, which entitles her remarks to great weight. She points out how the tendency of modern mechanical improvements is to banish from domestic life a large and consistently increasing class of women, and she pleads with eloquence and eagerness for a better provision toward their moral and intellectual improvement than is made at present. She treats of the various pursuits to which educated women now resort for a livelihood—teaching, literature art, business, and so on, and of others for which they are well fitted and which society ought to lay open to them. She gives a very interesting account of certain excellent associations founded in England for the assistance of working women, with some of which Enterprises Miss Parkes herself has been prominently connected. We advise our friends to read her well-written essays, that they may understand something of the terrible suffering which prevails largely abroad, and to some extent also at home, among a class of poor who have very strong claims upon our commiseration, but seldom or never appeal in person two our beneficence. The evils which she describes, and for which she indicates alleviations, if not remedies, are constantly growing with the growth of population, and we ought to be prepared to meet them.
Six months at the White House with Abraham Lincoln. The Story of a Picture. By F. B. Carpenter, 16mo, pp. 359. New York: Hurd and Houghton. 1866
Mr. Carpenter is a young New York artist, who, in 1863, conceived the purpose of painting a historical picture commemorative of the proclamation of emancipation [{143}] by President Lincoln. Through the intervention of influential friends, he obtained not only the President's consent to sit for a portrait, but permission to establish his studio in the White House during the progress of the work; or, as Mr. Lincoln expressed it, in his homely way, "We will turn you in loose here, Mr. C—, and try to give you a good chance to work out your idea." During the six months that he spent at the picture, Mr. Carpenter was virtually a member of the President's family. He saw Mr. Lincoln in his most familiar and unguarded moments; he won a great deal of his confidence and regard; and he has now set down in this little book his impressions of the President's personal character, and a great store of anecdotes and incidents, many of which have not before been published. For the work he has done and the manner in which he has done it we have only words of praise. He has given us the best picture of Mr. Lincoln's character as a man that has ever been drawn, and he has done it with care, modesty, and good taste. We believe that no man, however far he may have stood apart from Mr. Lincoln on political questions, can read this admirable little book without feeling a deep respect for our late President's straightforward, honest, manly intellect, and faithfulness to principles, and without loving him for his tenderness of heart, and his many sterling virtues. Mr. Carpenter writes in a tone of ardent admiration, but not of extravagant eulogy. He has the pains-taking fidelity of a Boswell, but without Boswell's pettiness or sycophancy. He has written a book which will not only be perused with eagerness by the reader of the present hour, but will achieve a permanent and honorable place in biographical literature.
An Introductory Latin Book, intended as an Elementary Drill-Book on the Inflections and Principles of the Language, and as an Introduction to the Author's Grammar, Reader, and Latin Composition. By Albert Harkness, Professor in Brown University. 12mo, pp. 162.1 New York: D. Appleton and Co. 1866.
The Latin books which Professor Harkness has published for more advanced pupils have enjoyed a flattering popularity, and in schools which have adopted them the present volume will prove very acceptable for preparatory classes. It is intended, however, to be complete in itself, and comprises an outline of Latin grammar, exercises for double translation, suggestions to the learner, notes, and English-Latin and Latin-English vocabularies. Unnecessary matters seem to have been carefully excluded, and the work has an appearance of great clearness and compactness.