When the organist ceased playing, the dreamer felt as though he had been in motion and were suddenly stopped. He perceived that he was waving his hand, and became aware of a little maiden dressed in white who had been going about placing flowers, and who, at the first sound of music, had sunk upon the altar-steps, and sat there listening, her eyes upturned and fixed on the crucifix.
"Who, then, is she?" asked Verheyden, as Laurie trifled with the keys, holding the clew while he searched what next to play.
Laurie glanced into the mirror before him. "Oh! she belongs in a frame on the wall, but sometimes steps out and wanders about the church. She sings at service. Call her up here if you can."
Verheyden hastily took a seat at the organ, and, as the girl rose and prepared to leave the church, a smooth strain sprang like a lasso from under his fingers, and caught her. She went upstairs, and, standing by the organist, sang Lambillot's Quam Dilecta. Her voice was not powerful, but a pure soprano, clear and sweet, making up in earnestness what it lacked in volume. She sang with exquisite finish, having taken the kernel of science and thrown away the husk. Musical ornamentation was not with Alice Rothsay vocal gymnastics, but seemed to grow upon the melody as spontaneously as tendrils upon the vine. Verheyden laughed with delight when, at the climax of the song, she touched the silver C in alt.
What had been a little maiden in the distance was a small young woman when near by. She was blonde; her oval face had the lustrous paleness of a pearl; she looked as she sang, pure, sweet, and earnest. One knowing the signs in faces would say that sharp tools must have wrought there to make the eyelids and the mouth so steady. Strangers called her cold; but those who had once seen her pale gray eyes grow luminous thought her fervid.
Then began again Verheyden's life, growing richer everyday. Musical cognoscenti grew enthusiastic about him: he was a genius, they said, no one before had so well interpreted the old masterpieces of song. Laurie was charming; but Verheyden was inspiring. The Scottish laddie was sweet and bright as one of his own dancing burns; but the German brought reminiscences of torrents and avalanches, and lightnings tangled among the mountain-tops. Laurie saw music as in a glass darkly, and strove to tell them how she looked; but Verheyden grasped the goddess with compelling fingers, and led her out before their eyes to dazzle them. His slight form below the towering organ-pipes they compared to Samson between the pillars of the temple of Gaza.
Verheyden was extremely happy in his art: pleased, too, to feel the wreath of fame settling on his brow with tingling touches; and when that August day had slipped back three years, he was thirty years old.
John Maynard, the machinist, drew into his mind various abortive notions conceived by men who had lived, or who were still in the sun—drew them in mistrustfully, and found them stray sparks of genius whose kindred dwelt with him. Uniting, they played pranks on the man; they made his brain swell and snap as they pushed open the portals of unsuspected chambers; they sailed through his dreams in the trains of vast shadows, whose shapes he panted to catch as they eluded him in the labyrinths of sleep; they grouped and they scattered, forming here and there a salient or receding angle, leaving voids to be filled; they got into his eyes till he forgot his friends and to brush his hat; they salted his coffee and sugared his beef; they took him on long rambles, where he would wake to find himself standing stock-still, staring at nothing; they burned up questions and answers before they could reach his lips, and they dislocated his sentences. They wooed, and eluded, and tormented, and enraptured him, till, darting on them unawares, he caught a shadow and copied it out on paper. Finally, fused into one shape, it sprang from his brain, like Minerva from Jove's, armed cap-à-pie. The machinist's invention was clad in iron, and stood shining and winking in the unaccustomed sunshine for everybody to admire.
Which finishes the story of John Maynard's only love.