"'Advance, throw shame behind, flatter the proud, copy, deride, calumniate, and be sure to burn incense in your own honor.

"'I have spoken.' And he added, rubbing his chin, 'Henceforth you are a man; hitherto you were but an ape.'"

History:
Don Antonio Cavanilles.

Don Antonio Cavanilles, an advocate and member or the Academy, has distinguished himself by his yet unfinished history of Spain, an interesting narrative, evincing the most patient research, and attractive from the adjuncts of customs and phases of the different eras, and personal traits of the historical personages. Don Modesto Lafuente is engaged on another history of the same country. Don Antonio belongs to the school of Livy and Herodotus, Don Modesto writes in the spirit and with the pen of a Manchester radical.

The Drama:
Don Adelardo Lopez De Ayala.

Zealous as the first historian for the preservation of the heroic and unselfish character of the genuine Hidalgo, Don Adelardo Lopez de Ayala writes his drama of "So Much per Cent," in which he excites unmeasured contempt for the greed of gold, and the rage of speculation, whose visit to the old soil of chivalry the author deprecates with all his might.

Don Gaspar Bono Serrano, a brave and devout military chaplain, once attending the wounded in Don Carlos's camp, and an Arragonese by birth, has given the lie to the public impression that no poet is born outside of Castile and Andalulçia.

While it must be owned with regret that pestilent French novels have found their way in abundance across the Pyrenees, the native literature of Spain, with scarce an exception, maintains its ancient prestige for Christian morality. Long may the word continue to be said!

Want of space prevents any notice of the feuilleton and the drama of Spain at the present day, and other literary topics interesting the Spanish capital. An instance of the interest taken in sound fictional literature in high quarters is furnished by the publication of the complete collected novels of Fernan Caballero, and of Antonio Trueba at the expense of the Queen. Meanwhile Fernan, or rather Doña Caecilia, (née) de Faber, dwells in the Royal Alcazar of Seville in apartments granted by her queen, employs herself writing an educational work for the junior portion of the royal family, and enjoys an extensive view from her windows over the old Moorish buildings, the Guadalquiver, and the charming Andaluçian landscape through which it winds.