I could not stand out very long against the bluff orders of my friend and physician Tom Bowlder. I knew, too, that he was right. I had overtasked myself. I had been dangerously ill; and, eager as I was to get on with my work, I could not help feeling that rest and change were absolutely necessary for me. So I packed my portmanteau, not forgetting my precious essay and a liberal supply of writing-paper, and the next morning saw me on the way to Meadowbrook.
It was a quiet, sleepy little village, nestling at the foot of a beautifully wooded ridge, and looking out from its shelter, across a slope of green fields, to a little stream which ran purling over the stones a quarter of a mile distant. Majestic old elm-trees shaded the grassy roads and swung their branches over the roofs of the trim little cottages. There was only one house in the place which pretended to be anything better than a cottage, and that was a rather stately villa, a good hundred years old at least, which stood a little way out of the village, surrounded with trees, and shut in from the public gaze by an enormous hawthorn hedge which ran around the extensive grounds. Meadowbrook House, or "the house," as it was generally called by the villagers, was the property of an old maiden lady named Forsythe, the daughter of a retired merchant who long years ago had chosen this quiet spot as a retreat for his old age. Mr. Forsythe was a Catholic, and one of his first actions after removing to Meadowbrook was to build the pretty stone church in the main street of the village, and to pledge a certain sum annually from his ample income for the support of the priest. When, after a long life of usefulness, he died and was buried by the side of his wife, leaving all his property to his daughter, who had already long passed the period of youth, the generosity of Miss Forsythe continued to supply what the poor little Catholic congregation was unable to give, and the excellent spinster was still the mainstay of the church. Poor Father James, an old man now of nearly seventy, would have fared ill but for her assistance.
So much I learned in an after-supper chat with my landlady on the night of my arrival. I cannot say that I was much engrossed at the time by the good woman's garrulous narrative, but after-events were to give me a deep interest in Meadowbrook House and in everything connected with it. I had taken lodgings in the village inn, a neat, quiet, respectable establishment, where there were few guests except the villagers who used to drop in of an evening to enjoy a little gossip and a pipe, and with whom, after a days' ramble, I used often to sit and smoke my cigar. I led an idle but most delicious life during my ten day's holiday. I ranged through the woods, with my gun on my shoulder, bringing home now and then a bird or so, but caring in reality more for the walk than the shooting. I whipped the brook for trout. I searched the fields for botanical specimens. I wandered about with a volume of Tennyson or Buchanan in my pocket, stopping at times to lie down and read under the trees. I did almost everything, in fact, except work at my essay, which remained in the portfolio where I had originally packed it.
One sunny afternoon I was dozing on my back in the shade of an apple orchard, when a strain of music was borne to my ears, beginning like the distant hum of bees, and gradually swelling on the air with slow and majestic cadences. I had never heard such music in Meadowbrook before. Curious to know whence it came, I followed the sound, and was not long in discovering that some practised hand was touching the wheezy little organ in the village church. Not the same hand which was accustomed painfully to struggle with the keys there on Sunday, and wring from them broken and doleful sounds to the distress of all nervous listeners. The person who was playing now had the touch of a master; and as the plaintive phrases of the Agnus Dei from Mozart's First Mass broke upon the solitude of the church, the rickety organ seemed infused with a new spirit. I could not have believed that so much pathos and such exquisite delicacy of tone could be drawn from the wretched instrument whose laborious whistling and puffing had set my teeth on edge the previous Sunday. I sat down in a pew under the gallery, and listened. It was not until twilight approached that the playing ceased. I heard the organ closed; the player was silent for a few moments; "He is saying a prayer," thought I; and then a soft step began to descend the stairs. Thinking it possible the performer might feel annoyed at perceiving a stranger in the church, I sat quietly in my place, confident that the growing darkness and the shelter of one of the pillars would screen me from observation. I could see very well, however, though I could not be seen, and my surprise was great when a slender female figure issued from the gallery staircase, and came within the light of the open street door. She was young—not more than eighteen, I should think—with a face of rare beauty, a pretty form, a light and graceful carriage, and the unmistakable air of a gentlewoman. Small, regular features, light brown eyes, cheeks like a peach, blooming with health, a profusion of dark hair, and an expression of remarkable simplicity and sweetness made up a picture of loveliness such as I had never seen before. She wore a fascinating little round hat, and when I first caught sight of her was just drawing on her gloves, and I could see that her hands were small and shapely. She bent her knee as she passed before the altar, and when she went out into the street the church seemed suddenly to have grown darker. My first impulse was to follow her; but I stopped, feeling that it would be an intrusion, and trusting that she would return the next day, if she supposed herself to be unobserved. So I kept still until she had been gone several minutes, and when I left the church she was nowhere to be seen.
I determined to ask my landlady about the fair musician, and that evening, when worthy Mrs. Brown brought me my supper, I detained her a few minutes in conversation—an amusement to which she was in noway adverse.
"It's been an elegant day, hasn't it, now, Mr. Franklin?" said the old woman, as she placed on the table the smoking rasher of ham and the pile of buttered toast; "and it's plain to see what a world of good this tramping about the country is doing you. I wouldn't say you were over-strong yet; but, Lord bless me! when you first came here, you were little better than a ghost. Well, well, sir, and I hope you won't find our little village too dull for you!"
"Dull! Mrs. Brown. Not a bit of it. I wish I could stay here a year. By the way, who is it plays the organ so beautifully in Meadowbrook church? I heard the music, and stopped awhile to listen."
"Plays the organ, sir? Well, you know there's Mr. Thrasher, the schoolmaster; he's the organist on Sundays, and very like you heard him practising—though why he should be out of school to-day, and this not a holiday—"
"Mr. Thrasher, Mrs. Brown, thumps on the organ as if he was thumping his pupils, and his singers scream as if they felt the blows. This was not Mr. Thrasher. It was a young lady!"