"And must this one example of vengeance work on for ever? Thy suspicious jealousy drove poor Albo to a certain death; and still, after my innocence was manifest, must make his family the offering of an ever insatiate revenge. Cremato's accusation—"

"Not so," replied the king, with vexation. "The guilt of the women came to my ear from another source. A report was spread that Albo was sacrificed … enough; the mother breathed vengeance, and for this the law demanded her life. I was gracious still!"

"Fearful grace," cried the queen, "which drove the unfortunate from their home and the graves of their dead, to wander in poverty and misery in a strange land. That was not what I asked when I prayed for mercy for the innocent. That was not what they expected when they sent petitions to thy throne to recall the sentence, and to allow them to return to their native land, even if it must be in poverty and want."

"A ruler does not play with law and verdict like the conjurer with a snake," spoke the king sharply. "The women who were thirsting for revenge could not be allowed to come back at that time: they cannot now: nevermore. And you, madame, might better let the dead rest. Your feelings lead you to a false conclusion. The gift of a few flowers caused the death of the thoughtless Albo. Your tears for that are shed in vain. The youth's destiny and my passion bear all the blame. You are free from all responsibility. Do not disturb yourself longer with frightful fancies. Leave the burden to my conscience. Admonishing to repentance is of no use, and only embitters. Such attempts it was, madame, that drove from my side the painter Cremato, to whom I had given my confidence. He did not accuse Albo's family, as you falsely believe; he defended them only too boldly. He took the liberty to speak to my conscience—to play the Massillon to me. I am tolerant only to a certain extent, and for nine years he has avoided the court, at which he so often appeared and went like a bird of passage."

"I did not know the man as you have painted him to me, sire," said the queen, only half convinced. "My heart shudders before extreme punishment and severe retribution, therefore I trembled before the informer who called forth both at that time. You say he comes again? Where has he lived, and how, until now?"

"I must explain," replied the king, "that I have no correct account of this man's residence for some time. He was a person worthy to be the friend of a king. I am not a chief of police. I need to know nothing more. Had he any settled dwelling-place? I do not know. In my dominions he has only wandered back and forth since that time. But, so much as I desire to see him again, I do not know whether I should not rather dread the meeting, as for many years I preserve his remembrance in fear."

"Fear!" asked the queen, with wondering eyes; "does the hero, my husband, know the possibility of fear?"

"The heart of iron trembles before the Eternal Judge, even when he speaks through the fearless tongue of a human being," answered the king, with anxiety depicted on his countenance. "Cremato's last words might convince thee, my guileless wife! He pleaded with impetuous eloquence for Albo's sentenced family; painted their suffering, that they must die far from the land that bore them, and asked their recall in the name of humanity. I refused.

"'Well!' spoke then the peculiar man, coldly and threateningly to me. 'I desist from further attempts to move the cold heart of the conqueror. Fortune's son no longer recognizes the unfortunate. But, from now on, another shall speak to him in my stead. Albo's fall, and the accompanying circumstances, are no secret, and my brush shall immortalize the unfortunate. His picture, in the pale mask of death—his picture—the herald of bloody tyranny, be my next work, and the recollection that I leave to you, sire. Take it as my legacy; and as often as an injustice or cruelty comes into your soul, or on your lips, so often may this pale face, swaying on black ground, stand before your eyes. May it serve to moderate your vengeance: may it be to presumption a reminder of annihilation: may it sharpen the penitence of your conscience.' He went, but the sting of his words remained with me from that hour. My self-consciousness turned, thousands and thousands of times, back to the terrible picture which he had left to torture me. Many times, as my dreaming thoughts wandered over my battle-fields, arose, from all the bodies only this one giant countenance, ghost-like, before me. Often, when overcome by the weariness of business, I rested upon a chair, I have seen on the wall the promised picture—like to the old countenances of Christ, which swung on a black ground without neck or robe— frightfully and threateningly coming nearer, as a phantasmagoric image."