His history from first to last is a striking and remarkable one. In the "religious" wars of the period, he was a conspicuous figure; and Henry the Fourth of France called him the third soldier of his age—he, Henry, being the first. But English historians of the past and present century have made it a rule to say nothing of him and of his great battles. They seem to desire that the name of the Yellow Ford should be blotted out of history. But once upon a time O'Neill occupied some attention in England. Spenser and Bacon wrote anxious treatises to suggest the best method of crushing him. Shakespeare delighted his audience at the "Globe" theatre by triumphant anticipations of the return of Lord Essex after destroying the abhorred O'Neill—
"Were now the general of our gracious empress (As, in good time, he may) from Ireland coming, Bringing rebellion broached on his sword. How many would the peaceful city quit. To welcome him?"
Camden, in his Queen Elizabeth, has given to the Irish war at least its due rank in the events of the time; and Fynes Moryson tells us that "the general voyce was of Tyrone amongst the English after the defeat of Blackwater, as of Hannibal among the Romans after the defeat of Cannae." Mr. Hume, though he tells us nothing of O'Neill's splendid victories over the English, yet incidentally mentions that "in the year 1599 the queen spent six hundred thousand pounds in six months in the service of Ireland; and Sir Robert Cecil affirmed that in ten years Ireland cost her three million four hundred thousand pounds," which would be about sixty millions of pounds sterling in money of the present day. So well, however, has the memory of all this been suppressed, that even an educated Englishman at this time, if you mentioned to him the great battle of the Yellow Ford would not at all understand to what event you were alluding; so that one is not at all astonished to find that Mr. Motley, in his voluminous book expressly devoted to the religious wars of Europe in those days, and especially the reign of Elizabeth, not only ignores that transaction altogether, but does not so much as know O'Neill's name. When he does once undertake to name him, he calls him not Hugh O'Neill, but "Shanes MacNeil." (History of United Netherlands, vol. iv. p. 94.)
The Irish, however, still cherish his name and keep his memory green. The peasantry yet tell that strange legend of a troop of the great chiefs lancers all lying in tranced sleep in a cave under the royal hill of Aileagh, each holding his horse's bridle in his hand, and waiting for the spell to be removed that will set them free to strike a blow for their country; and when a man once penetrated into the cave, and saw the sleepers in their ancient mail, one of them lifted his head and asked. Is the time come? To the educated and reflective Irish, also, that cardinal epoch of Irish history, in which O'Neill was the chief figure, has of late become a subject of more zealous study than it ever was before; and these will heartily thank the accomplished author of the present work for the clear light he has thrown upon one strange and painful episode in his country's annals.
The Cross.
In all ages, and among all nations, important events have been commemorated and transmitted to future generations by significant symbols. These mute symbols have served to represent the great leading ideas and characteristics of nations, communities, societies, and schools of religion, philosophy, morals, and politics. Entire histories have been treasured up for ages in these simple and inanimate emblems. In thousands of instances they have served to call to mind the stirring events of a generation, the glories of a great nation, epochs in human progress, or the rise and fall of false religions, false philosophies, and false systems of all descriptions. Each symbol comprises a language and a history of its own, which can be comprehended at a glance by the most ignorant of those whom it addresses. As the ideas which they represent pertain, for the most part, to affairs of the highest magnitude, they have always been regarded with respect and veneration.
When the legions of the Caesars were achieving the conquest of a world, their emblem of nationality and glory, and their inspiration in battle, was the Roman flag emblazoned with the Roman eagles. In the midst of the fiercest contests, a simple glance at the national symbol would fire the heart of the soldier with patrotic ardor, and often turn the tide of battle in his favor. As he looked upon his flag, the Roman soldier beheld the greatness and glory of his country, with himself as a constituent element of all this greatness, and his heart and hand were nerved with Herculean strength to meet the foe. In the eagles which floated amid the din of battle, he read the history of the empire, with her conquests, her riches, her power, her grandeur, and her Caesar; and he cheerfully gave his life for the ideas thus evoked.
The Saracen, as he marched out to battle, beheld the crescent of his prophet, and was willing to die for his cause. As the crescent waves before him, his imagination pictures the prophet beckoning him on to battle, to conquest, to proselytism, and to the sensual joys of paradise, and his courage rises, his blood boils, and his cimeter leaps from its scabbard. No danger, no fatigue, no privation daunts or deters him so long as he beholds the emblem of his religion and his race. He loves and venerates the silent symbol for the associations it calls to mind.