[Footnote 5: Christliche Mystik, ii. 501.]

Maria von Mörl became a sister of the Third Order of St. Francis, and, in virtue of the obedience due to him, her confessor undertook to keep her ecstasies within due bounds. She promised him complete obedience. A word from him recalled her to herself. But his experience was very little. No one at home paid much attention to her. She was left very much alone. Her confessor was a sensible man, but very simple and not at all inquisitive. The circle of her spiritual phenomena rolled round within the ordinary limits of the feasts of the church. Father Capistran did not interfere at all in the singularities of her interior condition, or even try to investigate their nature with curiosity. "If she is not questioned," wrote the good and simple confessor to Görres, "she says very little, and seldom speaks at all; thus, for instance, it is only to-day that I learned completely her vision of St. Paul—on the feast of his conversion. Only now and then does she tell a particular circumstance, which I listen to quietly; and if she says nothing, I do not trouble her with questions. She sometimes says to me, 'I cannot properly express what I see by word of mouth or by writing; and perhaps I might say something false.' My direction is extremely plain: I want her to be always humble and devout to God; and I am satisfied when she prays so fervently to God, and intercedes for others, for sinners as well as for the just. It always seems to me that it is not the will of God that I should inquire too curiously about her visions and revelations, as Brentano did with Emmerich." Thus wrote Father Capistran, who describes himself in his letter better than our pen could do it.

In September, 1835, Görres came to Kaltern, in the Southern Tyrol, where he saw frequently the stigmatized girl, whose health was becoming every day worse. He found her in her father's house, lying in a neat, plain, whitewashed room, on a hard mattress, and covered with clean white linen. At the side of her bed was a little family altar; behind it, and over the windows, were a few religious pictures. She had a delicate figure, of medium height, and somewhat emaciated from the use of sparse diet, yet not unusually thin. When he saw her for the first time, she was in an ecstasy, kneeling on the lower part of her bed. Görres describes her thus: "Her hands, with the visible stigmata, were folded on her breast; her face turned to the church, and slightly raised; her eyes having a look of complete absorption which nothing could disturb. No movement was perceptible in her kneeling form for a whole hour, except a gentle breathing, occasionally a muscular action of the throat as in swallowing, and sometimes an oscillatory movement of the head and body. She seemed as if looking into the distance, gazing in rapture at God, like one of those angels who kneel around his throne. No wonder that her appearance produced such a great effect on the beholders, so as to bring tears to the eyes of the most hardened. During her ecstasy she contemplated the life and passion of Christ, adored the Blessed Sacrament, and prayed according to the spirit of the season of the ecclesiastical year. This we are told by her spiritual director. Her visions and revelations had all reference to something holy and ecclesiastical; and, unlike somnambulists, she remained entirely blind, like other persons, to her own bodily state." (II. 504.)

In her natural condition, Maria von Mörl left the impression of her being a simple and candid child on those who visited her. Görres gives a characteristic description of her: "No matter how deeply she may be lost in contemplation, a word of her confessor, no matter in how low a tone it may be uttered, recalls her from her rapture. There seems to be no medium condition; only sufficient time elapses to make her conscious of the word having been spoken, before she opens her eyes and becomes as self-possessed as if she were never in ecstasy. Her appearance becomes immediately changed into that of a young child. The first thing she does on awaking from her ecstasy, if she perceives spectators, is to hide her stigmatized hands under the bed-clothing, like a little girl who soils her hands with ink, and tries to conceal them at the approach of her mother. Then she looks curiously among the crowd, for she is now accustomed to the sight of multitudes, and gives every one a friendly greeting. As she has been dumb for some time, she tries to make herself understood by gestures; and when she finds this method unsuccessful, she turns her eyes entreatingly, like an inexperienced child, to her confessor, to ask him to help her and speak for her. The expression of her dark eye is that of joyous childhood. You can look through her clear eyes to the very bottom of her soul, and perceive that there is not a dark corner in her nature for anything evil to hide in. There is nothing defiled or deceitful in her character; no sentimentalism, no hypocrisy, nor the slightest trace of any pride; but all in her is childlike simplicity and innocence." (II.508.)

Clement Brentano bears a similar witness to her virtue when he visited her at Kaltern, in 1835, and again in the harvest of 1837. In one of his letters he says of her: "Here lives the maiden Maria von Mörl, who is now in her twenty-third year. She is a lovely, pious, and chosen creature. She is incessantly rapt in ecstasy, kneeling in bed, her hands outstretched or folded. She is so wonderfully lengthened during her ecstasy, that one would take her for a very tall person, though really she is quite short. Her eyes remain open and fixed, and though the flies run over her eyelids, she moves them not. She is like a wax figure, and her look is striking. Now and then her spiritual director interrupts her visions, and immediately she settles into repose on her couch, but after a few minutes rises to her knees again. She makes no effort to rise; she seems carried by angels into a kneeling posture. The whole appearance of this extraordinary girl is moving, yet not shocking, for the moment the priest commands her to resume her natural state, she becomes like one of the most simple and innocent of children, as if she were not seven years old. The moment she perceives persons around her, she hides herself to the very nose under the bed-clothes, looks timorous, yet smiles on all around, and gives them pictures, preserving always a serene and attractive countenance, like that of the blessed Emmerich." [Footnote 6]

[Footnote 6: Clemens Brentano, Gesammelte Briefe, band ii. 326. He caused a likeness of her to be painted.]

Like a child, she was fond of children, of birds and flowers. It was observed that birds seemed to have a great liking for her. They sang in flocks around her windows, and if they were brought into her room they flew to her. On one occasion three wild doves were given to her, and although they never allowed any one to fondle them before, they alighted on her, two of them on her arms, and the third on her clasped hands, putting its bill to her mouth as she prayed. This beautiful scene was repeated for several days, until the doves were driven away. The same thing happened with a chicken which a little sister of Maria's, a child of nine years old, accidentally brought into her chamber.

If friends were around her, she could sometimes remain mistress of herself and take part in their conversation; but this was only for a short time, and she fell again into ecstasy. The passion of our Lord seemed to be the special object of her contemplation, and on Fridays especially she suffered agony in her mystical life. In the forenoon her sufferings began to be noticeable. As the great drama of the crucifixion proceeded, its traces were visible in her; her pains increasing until the hour of the death on the cross, when her whole person became as if it were lifeless. Görres paints, in his usual graphic style, all these phenomena, even to the most minute details. (P. 505-508.) For the sake of brevity, we shall quote only Brentano's words. As he was an eye-witness of what he narrates, he is perfectly reliable: "I have never seen anything more awful and astounding; all the patience, anguish, abandonment, and love of Jesus dying was represented in her with inexpressible truth and dignity. She is seen dying by degrees; dark spots cover her face, her nose becomes pinched, her eyes break, cold sweat runs down her person, death struggles in her trembling bosom; her head is raised, while her mouth opens in pain; her neck and chin form almost a straight line, her tongue becomes parched, and is drawn up as if withered; her breathing is low and slightly gurgling; her hands fall powerless to her side, and her head sinks on her bosom. A priest, to whom Father Capistran, who was present, gave authority, commanded her to repose. In a moment she lay fatigued, but calm on her bed, and after about three minutes rose again to her knees, and returned thanks for the death of the Lord."

These phenomena were repeated every Friday throughout the year. Her sufferings became more and more extraordinary. In the year 1836, it was observed that, on the Fridays after the ascension of Christ, when she finished her mystical agony, beginning at three P.M., she fell into a new ecstasy which lasted until half-past four o'clock. Her body lay extended on her couch as on a cross, her arms outstretched as if powerfully wrenched; her head hung on one side, bent somewhat back off her pillow, and unsupported by anything. Thus she remained sometimes two hours as if dead, and could not be recalled without violent and painful convulsions. But when she came back to her natural state, she was ever the same innocent and gentle girl, as if she had never been blessed by God with extraordinary visitations.

So much had ecstasy become a second nature to her, that she was self-conscious only at intervals and by great efforts of the will. During Görres's stay at Kaltern, Maria was asked to stand godmother for a newly born child. She accepted the invitation with great joy, and took the most lively interest in the ceremony; but during it she became ecstatic several times, and had to be repeatedly recalled from her trance.