A gentleman, intimately befriended with her, remarked, "After her death, I had occasion to observe the intense grief of those who had been recipients of her bounty, and then first became aware what a truly royal munificence had been hers, which all were ignorant of, save God and the poor." Such were the tears that followed her, together with those countless others, which during her life she had already dried.

On the afternoon of the 14th of February a long funeral procession, composed of the best Catholic society of Munich, and throngs of the poor, together with the superintendent of public charities, (then represented by the mayor of the city,) moved from the pleasant mansion on the corner of Carl street toward the cemetery, to render their last homage to this noble friend of art and the poor. The Abbé Haneberg, an old friend of hers, pronounced the benediction of the church over her grave, which was located not far from the grave of Möhler. In her written instructions, Emily Linder desired only a simple stone cross above her, the pedestal of the cross bearing the inscription:

The slumberer, here, confides in the mercy of God:

the simplest, but in its simplicity, the most touching testimony to a being whose interior life was all humility and trust in God, and whose exterior activity had been the purest mercy itself. To her might be applied a verse of the beautiful requiem addressed by Brentano to another departed friend:

"He, for whom our willing gifts
On the needy we confer,
From his eight beatitudes
Singled Mercy out for her."

The whole spirit which accompanied her through a life of seventy years still lived on in her bequests. The half of her large fortune she left to benevolent and charitable objects; chiefly to schools and hospitals. True Swiss that she was, she was specially mindful of her native city. The largest amount donated—200,000 florins—was bequeathed to the Bishop of Bale, for the benefit of his diocese. Her art-treasures were, with few exceptions, incorporated with the museum of Bale, to whose first establishment she had originally contributed no small amount, and which, with true patrician feeling, lavishly endowed during her life.

In these bequests to art and to the church, Emily Linder reared for herself a monument which will keep her in blessed remembrance; and this monument is only the last milestone of record on the pathway of a life thickly studded with works of charity. Truly a significant, steadfast existence, harmonious from its commencement to its very close.

In days of depression and perplexity would we gaze upon a portrait of true humanity, ennobled and enlightened by Christianity, (a portrait we might well present as a study to the young,) we may point with quiet confidence to the departed Emily Linder, and exclaim: Behold here a character noble, unselfish, and complete—a nature of rare purity and depth—a transparent and beautiful spirit, who verified her faith by her love.


The Irish Church Act Of 1869.