One day, Master Swibert and his daughter were seated at the turn of the road, where they generally rested in their daily walk. The organist returned to the subject with which his mind was always preoccupied—that future in which he had no part—and finished by saying, "My daughter, your cousin loves you. What he felt for you here he has not lost by separation; his heart is devotedly yours. You are all in all to him, and I have long understood his affection for you. I should feel happy to know you returned his love."
Paganina, surprised, replied, "I love but you, my father; must you leave me?" The organist replied by this verse of St. Paul, "Insipiens: tu quod seminas, non vivificatur, nisi prius moriatur", and Paganina, who did not know Latin, began to weep.
From this day, Master Swibert declined rapidly. He made what he called his will; his last instructions, only to arm his daughter for the struggles of life. He urged her to see, through him, the immortality of the soul; so especially visible in the early Christians, in the mournful hour when, their bodies, falling to ruin, betrayed the interior flame that disengaged them from earth, to shine for ever among the stars in unfading lustre.
After several days of agony, the good musician found his peroration. He died.
It was morning. He had talked a long time with his daughter, and the peace he enjoyed announced the end of the struggle. His large, troubled eyes looked once more toward the mountain, on her, and on his crucifix, then closed for ever.
XX.
The world—even the best of it—don't like to be entertained with the sufferings of others; so I will not stop to relate those of Paganina. I will pause longer on the chapter of her consolations. She drew these from two sources, her memories and her labors.
Her memories were realities. She felt that her father had never left her; and lived in his presence, meditating on and practising his lessons. Her ardor for the study of her art redoubled. Often in the silence of the night, at a late hour, her voice was heard by an admiring crowd beneath her window. The young artist, without knowing or desiring it, became popular.
She had other joys, too, which helped her to live her isolated life. It is not of those of love I speak. Paganina did not know the passion. She lived apart from the world, and her character became half legendary. Fancy held play where love was excluded; and in the regions of the ideal grew her immortal works, and their imperishable beauty, to be shed on humanity.
Perhaps the memory of such things should only be intruded on the very few; for it is said that often a ray from on high illuminated the chamber where the young girl sat, and in that moment she felt a new world tremble in her heart.