Her eyes were full of tears as she said these last words. But that peculiar joy which Richard had before observed, and the meaning of which he now understood, again lighted up her countenance. He leaned back in the carriage, and was forced to admit that the religious conception of death was very consoling, even grand, when compared with that conception which modern enlightenment has of it.
The carriage moved slowly through the silent court-yard, which lay as gloomy under the clouds as though it had put on mourning for the dead. The chickens sat huddled together in a corner, their heads sadly drooping. Even the garrulous sparrows were silent, and through the linden tops came a low, rustling sound like greetings from another world.
Assisted by Richard's hand, Angela descended from the carriage. Her father thanked him for his sympathy, and expressed a wish to see him soon again in the family circle. As Richard glanced at Angela, he thought he read in her look a confirmation of all her father said. Siegwart's invitation was unnecessary. The young man was attracted more strongly to the proprietor's house as Angela's qualities revealed themselves to his astonished view more clearly. But Frank would not believe in the spotlessness and sublime dignity of a Christian maiden. He did not change his former judgment against the sex. His stubbornness still persisted in the opinion that Angela had her failings, which, if manifested, would obscure the external brilliancy of her appearance, but which remained hidden from view. Continued observation alone would, in Frank's opinion, succeed in disclosing the repulsive shadows.
Perhaps a proud determination to justify his former opinions lay less at the bottom of this obstinate tenacity than an unconscious stratagem. The young man anticipated that his respect for Angela would end in passionate affection as soon as she stood before him in the full, serene power of her beauty. He feared this power, and therefore combated her claims.
The professor had returned from his excursion into the mountains, and related what he had seen and heard.
"Such excursions on historic grounds," said he, "are interesting and instructive to the historical inquirer. What historical sources hint at darkly become distinct, and many incredible things become clear and intelligible. Thus, I once read in an old chronicle that the monks during choral service sung with such enchanting sweetness that the empress and her ladies and knights who were present burst into tears. I smiled at this passage from the garrulous old chronicler, and thought that the fabulous spirit of the middle ages had descended into the pen of the good man. How often have I heard Mozart's divine music, how often have I been entranced by the stormy, thrilling fantasies of Beethoven! But I was never moved to tears, and I never saw even delicate ladies weep. Two days ago, I wandered alone among the ruins of the abbey of Hagenroth. I stood in the ruined church; above was the unclouded sky, and high round about me the naked walls. Here and there upon the walls hung patches of plaster, and these were painted. I examined the paintings and found them of remarkable purity and depth of sentiment. I examined the painted columns in the nave and choir, and found a beautiful harmony. I admired the excellence of the colors, on which it has snowed, rained, and frozen for three hundred and twenty years. I then examined the fallen columns, the heavy capitals, the beauty of the ornaments, and from these significant remnants my imagination built up the whole structure, and the church loomed up before me in all its simple grandeur and charming finish. I was forced to recognize and admire those artists who knew how to produce such wonderful and charming effects by such simple combinations. I thought on that passage of the chronicle, and I believe if, at that moment, the simple, pure chant of the monks had echoed through the basilica, I also would have been moved to tears. If the monks knew, thought I, how to captivate and charm by their architecture, why could they not do the same with music?"
"The stupid monks!" said Richard.
"If you had spoken those words at my side in that tone as I stood amid those ruins, they would have sounded like malicious envy from the mouth of the spirit of darkness."
"Your admiration for the monks is indeed a great curiosity," said Frank, smiling. "Sybel's congenial friend a eulogist of the monks! That indeed is as strange as a square circle."
"If I admire the splendor of heathenism, must I not also admire the fascinating, still depth of Christian childhood? In heathenism as well as in Christianity human genius accomplishes great and sublime things."