"That will do, Richard," said Herr Frank, much affected. "Your happiness moves me. May it last long. And I do not doubt it will; for Angela is truly a woman the like of whom I have never met. Her character is as clear and transparent as crystal; and her eyes possess such power, and her smile such loveliness, that I fear for my freedom when she is once in the house."
Crisp, cold weather. The December winds sweep gustily through the streets of the city, driving the well-clad wanderer before them and sporting with the weather-vanes. A carriage stops before the door of the Director Schlagbein. Professor Lutz steps out and directs the driver to await him.
Emil Schlagbein, Richard's unhappy married friend, had moved his easy-chair near the stove and leaned his head against its back. He looked as though despair had seized him and thrown him into it. Hasty steps were heard in the ante-room, and Lutz stood before him.
"Still in your working-clothes, Emil? Up! the tea-table of the Angel of Salingen awaits us."
"Pardon me; my head is confused, my heart is sad; grief wastes my life away."
"War—always war; never peace!" said Lutz. "I fear, Emil, that all the fault is not with your wife. You are too sensitive, too particular about principles. Man must tolerate, and not be niggardly in compliance. Take old Frank as a model. With Angela entered ultramontanism into his house. Frank lives in peace with this spirit—even on friendly terms. Angela reads him pious stories from the legends of the saints. He goes with her to church, where he listens with attention to the word of God. He hears mass as devoutly as a Capuchin; not to say any thing of Richard, who runs a race with Angela for the prize of piety. Could you not also make some sacrifice to the whims of your wife?"
"Angela and Ida—day and night!" said the director bitterly. "The two Franks make no sacrifice to female whims. They appreciate her exalted views, they admire her purity, her unspeakable modesty, her shining virtues. The two Franks acted reasonably when they adopted the principles that produced such a woman. Angela never speaks to her husband in defiance and bad temper. If clouds gather in the matrimonial heaven, she dissipates them with the breath of love. Is the sacrifice of a wish wanted? Angela makes it. Is her pure feeling offended by Richard's faults? She kisses them away and raises him to her level. My wife—is she not just the opposite in every thing? Is she not quick-tempered, bitter, loveless, extravagant, and stiff-necked? Has she a look—I will not say of love—but even of respect for me? Do not all her thoughts and acts look to the pleasures of the toilette, the opera, balls, and concerts? O my poor children! who grow up without a mother, in the hands of domestics. How is any concession possible here? Must not my position, my self-respect, the last remnant of manly dignity go to the wall?"
"Your case is lamentable, friend! Your principles and those of your wife do not agree. Concession to the utmost point of duty, joined with prudent reform in many things, may, perhaps, bring back harmony and a good understanding between you. You praise Angela: follow her example. She abominates the air of the theatre. The opera-glasses of the young men levelled at her offend her deeply, and bring to her angelic countenance the blush of shame. Her fine religious feeling is offended at many words, gestures, and dances which a pious Christian woman should not hear and see. Yet she goes to the opera because Richard wishes it. Her husband will at last observe this heroism of love, and sacrifice the opera to it. What Angela cannot obtain by prayers and representations, she gains by the all-conquering weapons of love. In like manner and for a like object yield to your wife. She is, at least, not a firebrand. Love must overcome her stubbornness."
Schlagbein shook his head sadly.