EASTER-SUNDAY.

The sun was not yet up when I started for town on Easter morning. The procession of the resurrection—called, to distinguish it from other processions of the resurrection, del encuentro, "of the meeting"—was to commence at six o'clock, and I was determined that no tardiness on my part should prevent my seeing the whole of this singular relic of bygone ages. The transition from darkness to light is so wonderfully sudden, however, in these latitudes, that it was broad day when I reached the cathedral, which I found brilliantly illuminated with wax tapers, and hung with crimson damask draperies. Mass had just begun, and there was a considerable number of persons present, most of them ladies, as is always the case in the churches of Havana. How the sight of the men-crowded churches of the United States would astonish these Cubans, who seem to believe that religion is made for ignorant women and children, and that the less they profess to have, the more enlightened they appear! As if the really enlightened man were not he who most deeply feels the necessity of his Maker's care and love—the consolation of addressing him in prayer!

As soon as the service was ended, I hastened to the Calle Empedrado, the street leading directly from the cathedral to San Juan, and took up my station on the edge of the sidewalk, about half-way between the two churches. The balconies of the houses and the sides of the great barred, glassless windows were hung with red and yellow draperies; and gayly-dressed ladies and children, and crowds of colored people, with the inevitable volunteers, thronged the streets. While thus waiting, I was struck by the appearance of the dresses of the greater part of the colored creole women; nearly all wore red, white, and blue, the antagonistic colors to red and yellow. Their wearers, in all probability, intended by this show of their political opinions to revenge themselves upon the Spaniards for the loss of their much-loved procession on Good-Friday.

There was soon a murmur of expectation in the crowd around me, and presently there appeared coming toward us from San Juan the image, large as life, of St. Mary Magdalen, dressed in a skirt of silver tinsel, and an open dress of blue satin, trimmed with silver lace. A profusion of long auburn ringlets flowed down each side of the smiling face, and a very elaborate gilded glory was affixed to the back of the head. The arms were slightly raised, and the hand held out. This figure stood on a small platform supported on the shoulders of four of the Brethren of Solitude, such tall men that the saint, as she advanced rapidly, her curls streaming out behind her, seemed to be running over the heads of the spectators. As she passed, all the men took off their hats respectfully. The bearers halted just in front of me, the Magdalen being supposed to look toward the sepulchre; after a few minutes' pause, she suddenly turned and ran back to the church of San Juan. In order, probably, to give a more natural appearance to the image, the men who carried it, and who evidently took extreme delight and pride in the duty, waddled as they ran, and so communicated a most ludicrous deportment to the saint. Every one laughed loud as they watched her roll from side to side, plunging forward from time to time, and then recovering herself with a jerk, her hair flopping up and down or streaming out on the air.

Que bien corre, meneandose—"How well she runs, shaking herself!"—was the admiring exclamation of several persons near me, and they laughed; yes, men, women, and children, black and white, roared with laughter, and yet, I verily believe, not one among them all laughed in derision, or felt the slightest sentiment of disrespect. "Perfect love casteth out fear," says the apostle; and it never entered into their heads that the good saint could be displeased because, like simple children, they laughed at so artless a representation of her. The grotesque movements excited their hilarity, and they were hilarious on the impulse of the moment, and without arrière pensée. The Latin race is sometimes remarkable for a child-like simplicity in its actions which too often is mistaken by colder temperaments for a lack of veneration and propriety.

In a little while the saint came running down the street again, saluted respectfully again by the merry crowd. A halt of five minutes, while she looked earnestly in the direction of the sepulchre, and then she turned and rushed back, more violently agitated than before, and amidst reiterated shouts of laughter, to San Juan de Dios, to tell the Blessed Virgin the good tidings that her Son was alive again.

And now the loud strains of martial music reached our ears, and we saw emerging from the square in front of the cathedral, and slowly advancing toward us, a high, handsome structure carried on the shoulders of a member of the black Hermandad. In the centre of it stood the image of the risen Saviour, crowned with a radiant glory; his right hand extended as if to welcome, his left grasping a white and gold banner, which displayed, when the breeze unfurled its folds, a blood-red cross. A little angel with outspread wings seemed to hover in front of the gorgeous fabric, as if to herald the coming Lord. A regiment of colored soldiers, wearing white drill uniforms with red facings, escorted this triumphal car, the band playing its gayest airs.

At the same moment the Holy Virgin, attired in gold-colored silk damask, with a magnificent halo around her head, appeared at the opposite end of the street coming to meet him. She was followed at a short distance by St. Mary Magdalen, now more subdued in manner. The Virgin's arms were raised as if about to clasp them around her beloved Son, and her face wore an expression of ecstatic joy.

The two processions met where I stood, and after a short pause, St. Mary Magdalen, who was the nearest to the church of San Juan de Dios, turned round and led the way thither, the Virgin turning also, and the two processions now forming but one. Slowly, but to the liveliest music, in which mingled the strains of Riesgo's hymn, the whole mass of us—for we spectators fell into the ranks—moved onward, every one looking glad and gay, and so we at last reached the old church, which was far too small to contain one half of us, and the images entered one after the other with all the assistants who could force their way in. We weaker vessels, left outside, seeing it hopeless to try to get in, soon dispersed. I have since learnt that no kind of religious ceremony took place; the images were simply set down, and after a while the church was cleared of the people and closed for an hour or two.

There are processions of the resurrection from a great number of churches perambulating the city every Easter-Sunday; but this one "of the Meeting," is by far the most curious and interesting. That of the church of the Espiritu Santo is considered one of the prettiest, because of the children in fancy dresses that take part in it. This year, I was told, a great majority of them wore volunteer or cantinera (canteen-women, or sutler) costumes, to the great disgust of Cuban mothers.