"An' ye must go, mon; for if Coke sent for me, I must go."
After the examination of some three hundred witnesses, Sir Edward Coke reported that the countess had used unlawful arts to separate herself from Earl Essex, and to win the love of Rochester, and that they had together plotted the death of Sir Thomas Overbury. Some of the inferior actors in the tragedy were condemned and executed; among them Mrs. Turner, who had in former years been governess to the countess, and who had once persuaded her to consult a wizard or fortune-teller—from whence came the charge of "unlawful arts." The unhappy principals were repeatedly questioned, and exhorted to confess; but with no avail. The countess at times made some admissions, but none which implicated the earl or seriously convicted herself; and we are fain to believe they arose rather from her unmitigated misery, and the harassing importunities of her judges, than from conscious guilt. They were at length restored to liberty—at least to the liberty of banishment from court; liberty to return to their country-seat and remain there; and there, a writer of that day tells us, "they lived in the same house many years without exchanging a word with each other."
King James seems to have devoted no small portion of his time to advancing the interests of Cupid—if love it could be called, where love there was none. Sir Edward Coke had himself an only daughter, whom the king assigned to Viscount Purbeck, brother of the Duke of Buckingham. The wife of Coke, Lady Hatton, was a very Xantippe; and the eloquence of the great jurist, which could sway multitudes, and check or change the course of political events, was totally powerless within the walls of his own castle. Lady Hatton wisely opposed this match, to which her daughter was averse; but in this case the king as well as Sir Edward had decided, and for once she was obliged to yield; "the king doing the matter (says an old writer) as if the safety of the nation depended on its completion." Lady Hatton had one retaliation within her reach, and she took it; she gave orders that at the wedding "neither Sir Edward Coke nor any of his servants be admitted."[46]
How fared at last the hapless Lady Purbeck, the heiress of thousands and thousands? She had the misery to see the husband not of her choice become in a short time hopelessly insane; while his brother, under pretence of looking after his affairs, left her, at times, almost penniless. Her letters to this unprincipled miscreant, written oftentimes under bodily as well as mental suffering, are truly touching. In one of them she says,
"Think not to send me again to my mother. I will beg my bread in the streets, to all your dishonors, rather than more trouble my friends." (Letter in the Caballa.)
Such were the tales of wretchedness within the precincts of a court.
III.
The career of King James and his son after the insolent and unscrupulous Buckingham appeared to lead or drive them, as the case might be, seems scarcely the actual history of sane men. When the downfall of Somerset left him supreme master, he seems to have taken possession of both king and palace. He soon sent for his kindred from all parts of the country; and their arrival is thus described:
"... the old countess, his mother, providing a place for them to learn to carry themselves in a court-like garb. He desired to match them with wives and husbands, inasmuch as his very female kindred were enough to stock a plantation. So that King James, who in former times so hated women, had his lodgings replenished with them; ... little children did run up and down the king's lodgings like little rabbits; ... for the kindred had all the houses about Whitehall, like bulwarks and flankers to a citadel." (Weldon.)