A trumpet blew a shrill prolonged minor note, and the child, laying his hand upon Claudius's shoulder, and shaking him violently, cried to him to proceed with his descriptions; addressing to him again the query, "Has that young man mounted? And if so, in what style, with what success?"

Notwithstanding the despotic impatience with which the inquiries were urged, the slave Claudius did not at first reply; and the infant heard rapid, eager murmurs on all sides follow the trumpet blast, then a general burst of exclamations, which were instantly hushed.

"Why do you not speak?" said Caius, in a species of whispered scream.

"Pardon a momentary abstraction," replied Claudius. "While the trumpet was yet sounding, the young knight Paulus took off his hat quickly, and bowed toward Tiberius Cæsar and the emperor; and replacing his hat, he beckoned to the freedman Philip. This last has approached him, and they are even now speaking together."

"Ha! ha!" interrupted the child; "then he has not mounted. He neither dares nor can he."

"Philip," pursued Claudius, "has opened the lantern; his young master is thrusting the staves toward the light; the ends have caught fire, in a dull degree, with some smoke accompanying the flame. He turns quickly away from the freedman, and holding the staves still in his left hand, and a little away, he approaches the horse; now he stands with his feet close together. Oh! he has sprung clean from the ground; he is in his seat. He has seized the bridle in his right hand, and carried it to his mouth; he takes it between his teeth. He is now relieving his left hand of one of those torches; he holds one in each hand, somewhat away from the body, nearly horizontal. The cavasson-holders at a distance are removing the muzzle, and the rider sends his feet firmly, yet I think not very far, through those rests which the illustrious Cneius Piso mentioned, those stapedæ of hide, the like of which I never saw before. I wonder they are not always used."

"What of the horse? Is he motionless?"

"Not less so than a statue," replied the slave; "excepting the eyes and nostrils, which last exhibit a tremulous movement, and show scarlet, like hollow leaves or thin shells on fire. The brute's concave head, from the scarlet nostril to the lurid eye, looks wicked and dire."

"How looks the rider?"

"Calm and heedful; the slight occasional breath of air from the east carries away to the front the slow flame, blent with a little smoke of those torches which he holds one in each hand."