Tacitus alludes to the poor Claudia Pulchra's brief tale. Quintus Haterius, whose Shakespeare-like variety of mind and bewitching eloquence had, as Ben Jonson implies in a comparison already cited by us, few rivals, was seated not far from Augustus. Next sat Livy. Antistius Labio and his rival Domitius Afer, who now occupied the place and fame in the forum from which Haterius on account of his age had withdrawn, stood leaning against a pillar, each with his arms folded. Both these persons, as well as Livy and Haterius, wore the toga; Sejanus, the scarlet paludamentum. The other male guests—except Tiberius, whose dark purple robe was conspicuous, and Germanicus, who was dressed in the costume of a commander-in-chief—wore a species of large tunic, called lacerna, which (contrary to the taste of the emperor, and despite of his frequently expressed disapproval) had become fashionable. The story mentioned by Suetonius is well known. One day Augustus, seeing numbers of the people wearing the lacerna, asked indignantly, in a line of Virgil's, could these be Romans, "Romanos rerum dominos, GENTEMQUE TOGATAM," and ordered the ædiles to admit none but toga-wearers into either the forum or the circus. But this was many years before the evening with which we are now engaged.

Among the groups collected in the Mamurran palace were representatives of the three great arts, in mastering which the highest education of classic antiquity was exhausted; we mean the arts of politics, of public speaking, and of strategy—government, eloquence, and war. They were all represented, each of them had its proper image in the groups we have described. As those pursuits constituted the favorite intellectual sphere, and comprehended all the fields of ambition, to be eminent in any one of them was to succeed in life, and to be adopted into that class of society of which so many distinguished members were entertained in the Formian palace on the night at which our tale has arrived.

If a man excelled, like Julius Cæsar, in all the three arts named, he could revolutionize the world. The mechanic arts, the fine arts, philosophy, physical science, mathematics, attracted individual votaries indeed; but were neglected by the ambition of a few, as well as by the indolence of many.

The mention of physical studies recalls Strabo, the geographer, who was among the guests this evening at the palace.

Many others who were there we need not enumerate; but some will claim a word and a glance. When Dionysius arrived, and introduced Paulus to the aged knight, Mamurra, the company was already numerous. Mamurra patted Paulus on the shoulder, and said, although the other day in the road he had not at once recalled old times, he remembered Paulus's brave father very well at the battle of Philippi; and that he, Mamurra, had seen him and Agrippa Vipsanius together, rallying the wing which Mark Antony had broken, and that he himself had charged with the cavalry to help him. This speech was very gracious, and our hero, who well knew it to be true, blushed with pride and pleasure. While the glow of this natural and honorable emotion was still coloring his young face, as he bowed to Mamurra, the latter took him by the arm, and said in a low voice,

"Come, let an old soldier present the son of a former comrade, whose life was honorable, and whose memory is glorious, to the master for whom they both fought with equal zeal, although unequal fortune."

Augustus returned Paulus's low salutation with a faint yet not unkindly smile, and then looked with a sort of sleepy steadiness at Tiberius, who heard Mamurra's words, and whose face was apparently flaming with a dark red rage. Near Tiberius, who now threw himself upon the cushions of a couch plated with gold, just opposite the chair which Augustus had selected, stood a tall, regular-featured, Brahmin-like man, in Asiatic dress, and next to this individual, Sejanus, with his usual air of supercilious composure, yet intent watchfulness.

The couch we have mentioned was long and large, and two ladies, one old, the other young, were already sitting at the further end of it. The first was Antonia, the mother of Germanicus, the second was Agrippina Julia, his wife. Just in front of them, upon a low stool, sat the son of the latter, Caius Caligula, with his eyes yet bandaged, as the reader will not be surprised to hear; while at his side, fidgeting with large, red, lubberly hands, stood a big, loutish, heavy-looking boy, who was considerably the senior of that dear child. This was no other than Claudius, the fourth of the Cæsarian dynasty, (or the fifth, if Julius Cæsar be accounted the first,) reserved, against his will, to mount the throne of the world amid panic and horror, that day when Caligula shall be hacked to pieces by Cassius Chærias, in the theatre of the palace at Rome.

Thus, three future rulers of mankind, destined to bear dire sceptres in dark and evil days, were around the white hairs of Augustus Cæsar to-night.

As Paulus stepped backward after Augustus's languid but not unkindly reception of him, Dionysius, who was just behind, moved quickly and gracefully out of his way, and Claudius, the big, loutish lad, being impelled thereto by the nature of him, shuffled forward so as to come in collision with Paulus.