The old house was the homestead of Holly Farm, and the young girl was Sybil Vaughan, the heroine of a very short story.

"Sybil looks charming in white," thought Miss Mildred, sitting at the window of the green parlor with her mending-basket beside her; "and the locket is quite becoming."

It was before the day when every one began to wear medallions, and the one that hung by a quaint twisted chain from Sybil's neck was a locket of rich enamel, brought to her from Algeria by a midshipman cousin, and quite unlike our gewgaw from the Palais Royal.

As we have said, Miss Mildred sat at the window of the green parlor, raising her eyes now and then from her work to watch her pretty niece, her adopted daughter. During the seventy years of her life, she had sat at that same window almost every morning since she was old enough to work a sampler, or to read a paper in the Spectator or a chapter of Evelina to her mother and younger sisters.

In her girlhood, Holly Farm had been a lonely place, remote from town and village. The trees, now rising luxuriantly around the house, were then, like her, in their youth, and revealed whatever might be passing in the lane below the lawn. At a period of life when young people gaze abroad in vague expectation of some wonderful arrival or event that shall alter the current of existence, Mildred Vaughan had turned longing eyes toward this lawn hour after hour, and she had thought her morning's watch well rewarded if the old doctor had trundled by in his high-topped chaise and nodded to her in friendly greeting.

With a capacity for painting that in these days of potichomania, decalcomania, and the rest would have passed for originality, if not genius, she had received one quarter's lessons in oil-painting, and by dint of studying a few beautiful family portraits had acquired a keenness of perception that made her hunger for the world of art. With an earnest love for books, she had been obliged to devote her time to the care of her younger brothers and sisters. And so, out of her monotonous life, she had brought into old age an exaggerated idea of the value of learning and luxury, with a belief in possibilities and a regret for what might have been generally supposed to belong exclusively to youth.

This sounds more melancholy than it really was. Miss Mildred had kept her ideal of happiness fresh and vivid, and that is in itself a source of keen enjoyment. And, being a devout and trusting soul, she had framed for herself a prayer out of the thwarted aspiration of her heart and mind: "I thank thee, Lord, that there are joys so beautiful on earth, and I thank thee that they are not for me. Thy will is dearer to me than the realization of any dream."

Every one loved to come to Miss Mildred for sympathy. She believed in the reality and the durability of their joy, in the depth and in the cause of their grief. She did not say to the mother who had lost her little baby, "He is saved from sorrow and sin." She did not say to the young widow, "You have had the best part of life; later come trial and vexation of spirit." She knew that in bereavement the balm often enters with the sting; that the stainless beauty of the thing we lose is our only earthly consolation for its loss.

A great change had come to Holly Farm since the time when the doctor's visit was an important event. The sweep of meadow-land west of the house now served as camping-ground for the —th Regiment, Massachusetts Volunteers, in which young Henry Vaughan held a second lieutenancy. Drumming and fifing, the arrival of carriages full of gayly dressed people to visit the camp, the music of the regimental band on moonlight evenings, such was the course of daily life on green slopes which cattle and sheep had once possessed without dispute, nibbling the grass and drinking from the river in all contentment.

Indeed, Miss Mildred's standard of events had so naturally changed in that course of seventy years that, when the little white gate swung open, and a young man in uniform walked across the lawn, she merely said to herself: "That must be Captain Adair coming to see Harry. He walks better than any man I ever saw. The maid's hanging out clothes; I do hope Sybil will have sense enough to come and speak to him instead of letting him knock."