M. de Lamartine tells us in his Confidences that, as the sages pause for reflection between life and death, so his mother was in the habit of devoting an interval at the close of the day in looking back on its vanished hours, and seizing its impressions before night should have dispersed them for ever.
When all the household had retired to rest, and no sound was to be heard but the breathing of her children in their little beds around her, or the howling of the wind against the casement and the bark of the dog in the court, she would softly open the door of a little closet of books, and seat herself before an inlaid cabinet of rose-wood to record the events of the day, pour out her anxieties and sorrows, her joy and gratitude, or utter a prayer all warm from her heart. Her son says: “She never wrote for the sake of writing, still less to be admired, though she wrote much for her own satisfaction, that she might have, in this register of her conscience and the domestic occurrences of her life, a moral mirror in which she could often look and compare herself with what she had been in other days, and thus constantly amend her life. This custom of recording what was passing in her soul—a habit she retained to the end—produced fifteen or twenty little volumes of intimate communings with herself and God, which I have the happiness to preserve, and where I find her once more, living and full of affection, when I feel the need of taking refuge in her bosom.”
Of course, such a journal was not intended for the public eye, and her son is so conscious of this that, even while editing this volume of extracts from his mother’s manuscripts, he says it has no interest but for those who are allied to her by blood or sympathy of soul, and prays all others to abstain from reading it. M. de Lamartine’s financial difficulties obliging him to make capital, not only out of the private emotions and experiences of his own heart, but even of his family archives, the publication of this volume was announced previous to his death, but was deferred at his earnest request.
The interest in everything connected with so eminent a poet, the charming pictures he has drawn of his mother in his Confidences, and the influence she had in moulding his character, made us look forward with interest to this work, that we might have a clearer insight into the soul to which he owed his poetical and imaginative nature. It is always refreshing and useful whenever one ventures to lift the veil of a pure soul and allows us to read its passing emotions. But such a soul should not be exposed to the eye of curiosity, but only to that of sympathy. To scan such a book—the outpourings of a mother’s heart, written solely for her own satisfaction and her children’s—with the cool eye of a critic, would be as profane as to jeer over the grave of one whose remains have just been exhumed.
But let every tender, religious heart—especially every maternal heart—that loves the sweet odor of flowers that still give out their fragrance when drawn forth from some old drawer in which they have long lain, reverently open this volume, sacred to all the outpourings of a mother’s tenderness. In her transparent nature they can read the unusual strength of the domestic affections, but a heart large enough to take in the poor and the sufferer of every grade, a charity that constantly found excuses for the asperities of others, and a piety that breathed all through her sweet life and crowned her death.
This book is a new proof of the tender piety and sincere faith among the old noblesse of France. Madame de Lamartine is worthy of being classed with the family of the Duke d’Ayen, the La Ferronnays, and the De Guérins. The simple grace of her style, the religious element so strongly infused into her daily life, the development of her emotional nature, and the intensity of her love for her family, all remind us of Eugénie de Guérin. And like her, she had one of those sweet, pensive natures that need the retirement of country life or the shade of the cloister for full development. They were similarly demonstrative in their affections and in their piety. And where one loves and follows with anxious prayer a gifted brother, the other, with the devotedness of St. Monica, weeps and prays for her son.
M. de Lamartine, after passing one gloomy All Souls’ day in recollection near his mother’s grave at St. Point, ended it by taking out the eighteen livrets in which all her thoughts and feelings had been buried for so many years, and, while the church-bell was mournfully tolling above her grave as if to reproach the living for their silence and admonish them to pray for their dead, he opened these books one after the other, and read, sadly smiling, but oftener weeping the while. It is with some such a feeling the reader will follow him. The drama of the heart is always touching, the genuine tear, even in the eye veiled in domestic obscurity, always appealing, and in this page of life’s drama there is many a one dropped. But the eyes from which they fell are always turned heavenward, and such tears have always a gleam of heaven in them, without which the sorrows of life would be unendurable.
Madame de Lamartine was the daughter of M. des Roys, intendant-general of finances to the Duke of Orleans. Madame des Roys was the under-governess of the children of that prince, and so great a favorite of the duchess that she was employed as the confidential agent of the latter during her exile, as we learn from this volume. After the execution of Philippe Egalité and the dispersion of his family, the duchess took refuge in Spain. Her daughter, afterwards known as Madame Adelaide, who displayed so much character and exerted so great a political influence during the reign of her brother Louis Philippe, was in a German or Swiss convent. The duchess, suspicious of Madame de Genlis’ influence over her daughter, and perhaps fearful she might be made a tool of the Orleans faction, with whose aims she did not sympathize, commissioned her devoted follower, Madame des Roys, to bring her daughter to Spain. Madame des Roys succeeded in her mission. She embarked at Leghorn about the beginning of January, 1802, and arrived safely at Barcelona with her charge. Madame de Lamartine, who had all this from her mother’s lips, says the meeting of the duchess and Mademoiselle d’Orleans was extremely affecting. Madame des Roys subsequently returned to France, and died on her estates in June, 1804, worn out with fatigue, and troubles resulting from the revolution. She gave her daughter a portrait of Mademoiselle d’Orleans—a present from the duchess, and Madame de Lamartine always showed herself loyal to that family. When the poet wrote his Chant du Sacre without mentioning the Duke of Orleans among the other members of the royal family, she entreated him with tears to be mindful of what she owed the family. Lamartine yielded, but with so ill a grace that his allusion displeased the duke. Madame de Lamartine, fearful of being thought ungrateful to the family, wrote Mademoiselle d’Orleans a full explanation of the affair.
But to go back to the time when Madame des Roys was still governess in the Duke of Orleans’ family. She and her husband had apartments at that time in the Palais Royal in winter, and at St. Cloud in summer. It appears Madame des Roys and Madame de Genlis had some pitched battles in those days, or, as Madame de Lamartine afterward expresses it, deux camps opposés. Madame de Genlis kept up the grudge after the death of her former rival, and, years after, severely attacked M. de Lamartine’s poems by way of satisfaction.