“Count George de Walden?” echoed Fleurange, as if in a dream.
“Why, yes; that was the name of the princess’ first husband. Did you not know it?”
“No, I did not.”
“He died young—that one. Madame, too, was young. She mourned for him a long time, and then married again, but had no more children. The prince is dead also, but—”
Just at that moment a servant appeared with an armful of packages of all sizes, one of which fell from his hand. Barbara left Fleurange abruptly, and sought relief from her fatigue in a severe reprimand to the awkward man, more tired than herself.
XVIII.
Fleurange returned to her seat on the top of the three steps that led to her window, and was again looking down on the quiet and secluded court. But what a change had been wrought in her feelings since she sat there half an hour before! What contrast between this tranquil scene, which then harmonized so perfectly with the serenity of her thoughts, and her present agitation of mind! She endeavored to be calm, but for some time could not succeed. Was the emotion caused by this unexpected discovery surprise and joy, or regret and fear? She could not clearly decide, but it was a mixture of all these different sensations; and she gave herself up for a time to be buffeted by a whirlwind of contradictory thoughts. By degrees they at last became clearer and more distinct. Fleurange recalled the last time she heard Count George’s name mentioned, as well as the resolution she made that day. That resolution had been easily kept, thanks to all that had since happened to divert and absorb her attention. She must still remain faithful to it under entirely different circumstances. It was, however, no longer a question of forgetting the very name of Count George, as she was doubtless to see him, know him, and live under the same roof. But what she must impress most seriously on her mind was—that he would be as widely separated from her here in his mother’s house as when he only lived in the world of her dreams. This of course would be extremely difficult, but it was evidently a duty she owed to herself. This point once established, her course was plain.
The gentle hand that guided her childhood did not try to extinguish the exquisite though somewhat dangerous qualities with which she was gifted. She did not stifle the liveliness of her imagination, or the ardent tenderness of her heart, or the tendency of her sentiments to extremes.
Madre Maddalena considered these precious gifts only dangerous in the absence of two other qualities which she sought to develop in Fleurange, with a care only comparable to that which is used (in an inferior sense) in developing the human voice, and transforming it into an instrument at once powerful, harmonious, and almost divine. However musical a voice may be, one cannot sing without correctness of ear, and the power of sustaining its clearness for a long time without faltering. The divine harmony of the human faculties also depends on the correctness with which the word duty is echoed in the soul, and the strength of character to act upon it unhesitatingly and unfalteringly. These were the two qualities that overruled all others in Fleurange’s nature, and had hitherto preserved her from the dangers to which the others exposed her.
More than two hours passed away: the shadows of the columns grew longer beneath the portico: the evening star, herald of holy thoughts in Fleurange’s soul, came out clear and brilliant in the cloudless sky, reminding her of her accustomed prayer. She had hardly finished it when the clock struck and abruptly recalled the young girl to herself. She hastily opened her trunk, changed her dress, and entered the dining-room the very moment the Princess Catherine appeared.