Another month elapsed, and the great door of the Madeleine was opened for a double marriage. The first bridegroom was a tall, slight man, on whose face and figure the word distingué was unmistakably stamped. The second was a plump, dapper little man, who, as he walked up the carpeted aisle of the church, seemed hardly to touch the ground, so elastic was his step; his countenance beamed, he was radiant, and it is hardly a figure of speech to say that he was buoyant with satisfaction. If he could have given utterance to [pg 240] his feelings, he would have said that “the situation was perfect, and absolutely nothing more could be desired.”

Mme. Cléry was present in her monumental cap, trimmed with Valenciennes lace brand-new for the occasion, and a chintz gown with a peacock pattern on a pea-green ground that would have lighted up a room without candles. She, too, looked the very personification of content. The first couple was all her heart could wish, and more than her wildest ambition had ever dreamed of for her favorite Aline. The second she had grown philosophically reconciled to. The marriage had one drawback, a grievous one, but the charwoman consoled herself with the reflection that Mme. de Chanoir might condone the bourgeoisie of her new name, by signing herself:

Felicite Dalibouze,

Née de Lemaque.

Use And Abuse Of The Novel.

If the question were put to us—What class of books, viewed merely as reading, without tutelage or commentary of any kind, had the greatest influence in moulding and training the thoughts, aspirations, mode of life, of the mass of readers in these days?—we should, notwithstanding the slur and sneer which it is fashionable for clever writers to cast upon them, answer unhesitatingly—Novels.

This answer, we have no doubt, might shock the sensibilities of some of our readers, as it might very cordially agree with those of a not insignificant body of others. Without going into a dry analytical discussion of the pros and cons of the question, we will adopt the easier course of taking at the outset everything we want for granted, and allowing the truth of it to emanate from the body of our article; merely premising that, if it be true, Catholics have too much neglected, are far too weak in, this very important collateral branch of modern education.

Every age, every cycle, every period in the history of the world has its distinctive features, its proper individualities, its representative men, systems, or facts, strongly and clearly marked. Ours is the iron age. Our province is matter. Our tastes are material. The world seems, strangely enough, to be working backwards. We began with intellect: we finish with matter. The signs of the past are stamped with intellect or the intellectual. The development of the present is steam and electricity. If we ask the ages, What have you given us? the answer comes rolling down out of the dim mountain of the past: Homer, Phidias, Apelles; the alphabet, the geometrical figure, the science of numbers; Plato and Aristotle; Virgil and the historians; the practical greatness of Rome; the great faith of the new-born middle ages; the Crusades, the Gothic order, the great masters, Dante, [pg 241] Shakespeare, and Milton. We have our distinctive mark; the one indicated: the mastery over the material world. In the intellectual order, if we look for one, we must set it in the daily newspaper and the novel. These are the peculiar intellectual development of the XIXth century. Against the names of Homer, Plato, Æschylus, Virgil, Horace, Dante, Shakespeare, we pit those of Scott, Thackeray, Dickens, Eugene Sue, George Sand, Victor Hugo, Dumas, Bulwer, Wilkie Collins, Miss Braddon, and her kin.

Surely this is rank heresy. Is not this the age of the rationalists, the free-thinkers, “the swallowers of formula,” of Hegel, Cousin, Comte, Mill, Herbert Spencer, Huxley, Thomas Carlyle? All these are nothing to the purpose. Thinkers, dreamers, idealists, doubters, belong to all ages. The novelists belong to ours alone, as surely as do the steamboat, the railway, the electric telegraph, the daily press, the penny post.