For whose sweete sake that glorious badge he wore,
And dead, as living, ever him ador'd:
Upon his shield the like was also scor'd.
For soveraine hope which in his helpe he had,
Right faithful true he was in deede and word.”—Spenser.
One day in the month of November, 1833, a stranger descended from the lumbering Schnellpost at the little town of Marburg (Electoral Hesse), on the pleasant banks of the Lahn. Looking around him, he discovered but a single object of interest—the old cathedral of the place, a noble Gothic edifice, which, although stripped and cold in its modern dedication to the Lutheran service, still preserved the salient features of its inalienable beauty and majesty of form.
The traveller, a young man of twenty-three, a Catholic, and an enthusiast in his intelligent and cultivated admiration of the grand architecture of his church, recognized in the building a monument celebrated at once for its pure and perfect beauty, and the first in Germany in which the pointed arch prevailed over the round in the great renovation of art in the XIIIth century.
Contrary to Lutheran observance, the church happened on that day to be open, in compliance with a traditional custom, for the cathedral bore the name of S. Elizabeth, and this was S. Elizabeth's Day. The stranger entered. There was no religious service. There were no worshippers, and children were at play among the old tombs. He wandered through the vast and desolate aisles, which not even the devastation and neglect of centuries had robbed of their marvellous elegance. Naked altars from which no ministering hand now wiped the dust, pillars, defaced statues, nearly obliterated paintings, broken and defaced wood carvings, successively struck his eye and attracted his attention. All these remains of Christian art, even [pg 434] in their ruin telling the story of their origin in days of fresh and fervent faith, appeared also to picture in a certain sequence the events of some devout life. Here was the statue of a young woman in the dress of a widow; further on, in painting, a frightened girl showing to a crowned warrior her robe filled with roses; yet further, these two, the young woman and the warrior, tearing themselves in anguish from a parting embrace. Again, the lady is seen stretched on her bed of death amidst weeping attendants, and, later, an emperor lays his crown on her freshly exhumed coffin.
It was explained to the traveller that these pictured incidents were events in the life of S. Elizabeth, queen of that country, who, that very day six hundred years ago, had died in Marburg and lay buried in the church. A silver shrine, richly sculptured, was shown to him. It had once enclosed the relics of the saint, but one of her descendants, turned Protestant, had torn them from it, and scattered them to the winds. The stone steps approaching the shrine were deeply hollowed by the countless pilgrims who, more than three centuries agone, had come here to kneel in prayer. “Alas!” thought the stranger, “the faith which left its impress on the cold stone has left none upon human hearts!”
He desired to know more of the saintly patroness of Marburg's cathedral, and leaving the church sought out a bookseller, and asked for a life of S. Elizabeth. The man stared at him, bethought himself a moment, and then went up into a garret, from which he presently emerged with a dust-covered pamphlet. “Here it is,” he said, “the only copy I have: no one ever asked for it before.”