“For a long time she spoke to me, and my soul, ravished, absorbed, transfigured, listened in unspeakable ecstasy to the divine harmony of her voice. It will vibrate eternally in my soul, and the torrents of tears that poured from my eyes were as refreshing as dear to my heart. At last the mysterious vision gradually vanished. Clouds, figures, angels, light, all had disappeared, and yet my soul invoked the celestial vision by ineffable sighs and moans.
“When at last I turned round, the help which had been miraculously promised to me had arrived. ‘Twas then, reverend father, that I perceived you near me. You know the rest.”
The next day there was great excitement among the little population of the neighborhood. The news of the miracle had spread rapidly, and a pious and devout crowd had gathered in the modest little church to assist at a solemn Mass celebrated by the holy missionary. More than one pitying look was turned during the ceremony toward the young officer, who knelt near the sanctuary, praying with an angelic fervor.
It is said that some time after, in another country, far, far beyond the sea, a young officer who had miraculously escaped death abandoned a brilliant future, and consecrated himself to God in a cloister. Was it he? No one has ever known positively.
If ever you pass by the old church of the Rivière Ouelle, don’t forget to stop a moment. You will see hanging in one of the side-chapels the antique ex-voto which recalls the souvenir of this miraculous event. The picture has no intrinsic value; but it is an old, old relic, that one loves to see, for it tells a thrilling story. Often travellers who come from distant lands stop before this dusty old picture, struck by the strange scene it represents. Oftentimes pious mothers stand before it with their little ones, and relate to them the wondrous legend; for the souvenir of this thrilling story is still vivid throughout the country.
[THE RECORDS OF A RUIN.]
The Palais Royal derives its chief historical interest from its association with the memory of Cardinal Richelieu. When it first attracted his notice by its situation, at once delightful and convenient, surrounded by richly planted gardens, and close to the Louvre and the then fashionable thoroughfare of the city, it was the property and residence of the Marquis d’Estrée. From this nobleman Richelieu purchased it in 1624. Soon, however, the elegant mansion, which had been abundantly spacious for the lords of d’Estrée with their innumerable retainers and long corteges of valets of every degree in the lengthy domestic hierarchy of those days, became too small for the growing importance of Louis XIII.’s magnificent minister.
Richelieu fell a conquest to the building and decorating mania prevalent at that period amongst princes and princely prelates; he threw down the walls of the Hôtel d’Estrée at the north end, pushed the house into the gardens, drove the gardens further out into the open space beyond, and pierced a way through into the street which was henceforth to be honored by bearing his name. Philippe of Champagne was invited to paint the ceilings and decorate the walls of the stupendous eminence whose cipher gleamed over all the doors, sometimes engrained in gold letters upon marble, sometimes curiously interlaced with emblematic figures, or emblazoned in the Richelieu arms. When all was complete, it was necessary to rechristen the dwelling which had been so enlarged and renovated as to be virtually a new edifice—the mansion which had been metamorphosed into a palace. After much serious consultation, and many times changing his mind, Richelieu decided that it should be called Palais Cardinal. A slab bearing these two words in large gold letters was accordingly placed over the gates of the ci-devant Hôtel d’Estrée. The next morning all Paris beheld it, and burst out laughing. The beaux-esprits of the sarcastic capital, with Balzac at their head, rushed in a body to the square in front of the new palace, and woke the echoes of the sleeping aristocratic gardens with their uproarious mirth; there they stood, armed with grammars, lexicons of divers tongues, and pens and portfolios, discussing with much solemnity the two inoffensive nouns on the marble slab; every now and then a wag from the crowd raising shouts of laughter by some ludicrous explanation of his own. Presently the gates were swung apart, and out drove the cardinal, and beheld the spectacle, so eminently gratifying to his sensitive pride, of “all Paris laughing at him.”