Robert Southwell, however, must head the list, as he was both author and martyr. He published many volumes in prose and verse, though his life was closed prematurely in his thirty-fifth year. Educated at Douay, he labored in England eight years during Elizabeth's reign. He was a member of the Society of Jesus, and he touched the hearts of his suffering brethren by his tender and plaintive verse. S. Peter's Complaint, with Other Poems, appeared in 1593, and Mœoniæ, or Certaine Excellent Poems and Spirituall Hymnes, in 1595, the year in which he was hanged, drawn, and quartered at Tyburn, under a false charge of being engaged in a political movement. His real offence was that of the Bishop of Ermeland and the Jesuits of Germany in the present day—his allegiance in spiritual matters to the authority of the Holy See. Robert Southwell's memory is still cherished in England, and it is not long since selections from his poems were read to a crowded audience in Hanover Square Rooms, London, by the Rev. F. Christie, S.J. They do not rise high in poetic merit, but they are full of noble, just, and devout sentiments. "Time Goes by Turns" is found in most collections of British poetry. The following are the last stanzas of his "Conscience":
"No change of fortune's calms
Can cast my comforts down;
When fortune smiles, I smile to think
How quickly she will frown.
"And when in froward mood
She moves an angry foe,
Small gain I find to let her come,
Less loss to let her go."
Religious writings—sermons, meditations, and even works of controversy—had more importance, in a literary point of view, in Queen Elizabeth's reign than they have now. At that time, people read little; books were few and dear. Books of piety cultivated the mind, though used chiefly to edify the heart. They exercised many persons in the art of reading, who, but for that branch of literature, would have read nothing at all. They kept up a habit which was good on secular grounds, apart from the higher spiritual consideration. Looked upon in this light, the tracts and letters of such holy men as Campion, Persons, and Allen (afterwards cardinal) had a twofold value. Edmund Campion was an accomplished scholar. He received his education at S. John's, Oxford, and being courteous and refined, as well as clever, he was universally beloved. After leaving college, he went to Ireland, and wrote a history of that country, which was highly esteemed. Having been reconciled to the church, he repaired to the new college at Douay, that he might there study theology; and after following the usual course, he was admitted into the Society of Jesus, and sent to England to comfort and strengthen his brethren who were contending for the faith. His friendship for Persons, his publication of a work written by that father, entitled Reasons for not Going to Church (that is, to the parish Protestant church), and the seizure of a private press, which a Catholic gentleman had given to the friends, that they might work off edifying books and tracts, led to his apprehension. He was dragged through the streets of London, with a paper fixed on his hat, stigmatizing him as "Campion, the seditious Jesuit" (July, 1581), and being tried for treason, of which he was quite guiltless, he was barbarously executed, after suffering the most horrible tortures. The life of Cardinal Allen, if carefully written, would be an important addition to English Catholic literature, and involve numerous particulars of thrilling interest respecting the political and domestic history of the times. His writings lie in the border-land between theology and politics. His Apology or Defence of the Jesuits and Seminarists was a reply, written in 1582, to the proclamations of the government which denounced the Catholic priests as traitors. Persons engaged in the same controversy, dwelling chiefly on the dogmatic and practical side of the question. All honor to these heroes of the cross, whom literature as well as religion claims as her own!
In placing "Rare Ben Jonson" among Catholic authors, it is not meant to claim him altogether as one of the church's children. In early youth, he bore arms and served a campaign in the Low Countries. His troop being disbanded, he took to the stage; but a hot temper often led him into brawls, and in one of these he had the misfortune to kill a brother actor. Being in prison, he contracted an intimacy with a fellow-prisoner, a Catholic priest, which ended in his conversion. During twelve years he remained a Catholic, and then returned to the Established Church. It was the only pathway to worldly success, and he became a favorite with James I., as Shakespeare had been with Queen Elizabeth. We name them together, for, indeed, they were rivals; yet what a difference between the texture and the productions of their brains! Ben Jonson was made poet-laureate, and wrote comedies and masques without number. Here and there we find in his works noble sentiments worthily expressed, as in that classical drama, Catiline's Conspiracy. We find also rhythmical sweetness, as in the song, "To Celia,"
"Drink to me only with thine eyes,"
and in the "Hymn to the Moon,"
"Queen and huntress, chaste and fair."
Now and then he touches a more sacred chord, and such as might suit a Catholic lyre, as in the following hymn:
"Hear me, O God!
A broken heart
Is my best part.
Use still thy rod,
That I may prove
Therein thy love.