“Well! and how did it end?”
“The only way any man of sense could expect it to end. She got out of the window and over the wall one fine night, and left him. The poor thing went no further and to no other place than her father's house. But nothing would ever persuade her to return to her husband, who grew yellower and greener every day until he finally died—of jealousy.”
“Serve him right,” was all I deigned to reply, being too indignant to be grammatical.
“I knew a young girl,” continued Don Emidio, “who had made up her mind she would marry a certain Neapolitan duke of immense wealth. Her parents did not object (which they ought to have done). But her confessor, that Padre Cristoforo whom you heard preaching through the month of May at Santa Catarina, did everything he could to dissuade her. The only answer she would ever make to his remonstrances was that she should have a carriage. All life seemed to résumé itself in her mind in the possession of that one luxury, with just the addition of gowns from Paris. She was married to the old duke, and very soon after came to Padre Cristoforo to complain of her hard lot. He could only repeat that he had warned her how it would be, and recommend her to take a drive in her carriage, and ever more and more to drive in her carriage, reminding her that it was for that she had married. Alas! she had to confess that even that consolation was denied her, as her husband was too jealous of the passers-by to allow of her being seen driving out, and that for the most part she was kept to the house. It is true he was constantly making her magnificent presents of that other great object of her ambition—dresses from Paris; but, as she represented to him, they were quite useless to her, as she could not wear them shut up alone with him in the house. Now, are you not frightened by this peculiarity in us Italians, carina, or are you prepared for it?”
Emidio was laughing, and so was I, when he more gravely added:
“The other day we were talking of the reverse of the medal, as regards the good or bad qualities of different people and nations. And I think I can promise you, cara mia, that as my respect for you, and I hope my own good sense, will always preserve me from this ludicrous excess of a national characteristic, so the only form which it will take will be in making me more observant that you should receive from my hands alone those little attentions, and what the French call petits soins,[181] which are so necessary to a woman, and which make up so large a share in the lesser enjoyments of her life. I hope never to bore you. But I hope always to wait upon you.”
I looked over my shoulder as we came to this point in our discourse. Frank and Elizabeth were discussing their future also in another part of the loggia. And I thought to myself, if we could have compared notes, we should no doubt have traced many differences characteristic of English and Italian future husbands. But I am convinced that both English maidens were equally content with their prospects.
We paid more than one visit to the great museum of Naples, now called the Museo Nazionale, but which Mary and Frank remembered as the Museo Borbonico. Since they were last here, the dynasty being changed, the name of the collection and the arrangement of the objects have also changed. Mary, who is very decided in her artistic preferences, had her favorites here, as I have always found she had in every collection of pictures or statues she had once visited; and faithful to her old loves, she never could rest or look at other objects till she had revisited those that had already struck her imagination. I do not know whether it may arise from the fact that in Rome the attention is naturally more turned, in the collections at the Vatican, to those which have reference to the life and customs of the early Christians, in preference to the indications of pagan life; but certainly the objects in the museum at Naples brought before me, with a vividness I had never felt elsewhere, the very minutest details of old Roman existence. And I believe, in point of fact, no collection equals that at Naples, enriched as it is by the treasure-trove of Pompeii and Herculaneum. It would be quite easy to furnish a house with every requirement of life from roof to kitchen out of the abundance of these interesting relics of the long ago past. And as I wandered about the large chambers filled with kitchen utensils, lamps, vases, and female ornaments, and then passed into the halls where are the frescos that decorated the walls of their dwellings, I felt I could realize to myself the many differences in the external forms of their life and our own.
The first conclusion I arrive at is that there was more sameness and less multiplicity. For instance, there was a certain received form for lamps. You had your choice, in the ornamental parts, of the heads of lions or of griffins, but the shape was the same. In the kitchen the like shape reigned as in the triclinium or the œci—the dining-room and drawing-rooms of the ancients—minus the [pg 817] ornaments.[182] The same absence of diversity is observable among the jewels. There could be very little difference, except in size and weight, between one lady's necklace and another's. The houses, judging from the discoveries at Pompeii, and borne out by the classic writers, were all built on the same model, some large and magnificent, others small and mean, but alike in structure. I pause, and ask myself how life went on without modern china in the houses of the great. Though much of their glass was beautiful, yet what a difference between their earthenware pots and our Sèvres and Dresden, Worcester and Minton! Everywhere the tables and seats and chairs were alike. The difference lay in the draperies and the cushions, never in the shape. It sounds bald and trite to register these remarks; but if we carry out the thought, and try and place ourselves where the men and women of Rome and its subject provinces stood, and in imagination sleep in a cubiculum[183] six feet long and four wide, sit on a marble representation of a camp-stool, and lay our work or our book—which latter will be in the inconvenient shape of a long roll of papyrus—on a round marble table with three lion's paws for legs; if we fancy our rooms divided one from the other by portières, or hangings, instead of doors, artistically draped in longitudinal folds, and fastened with cords by the fashionable upholsterer of the day; if to this we add an almost entire absence of washing-basins, and, instead, a lavishness in the article of marble baths, all more or less taken in public; if from vestibule and atrium,[184] from hospitium[185] and exedra,[186] we dismiss all notion of knicknacks, all glass-fronted cabinets, all buhl and marqueterie, all enamelled snuff-boxes, china pug-dogs, and filigree; with no Berlin-wool work and no miniatures; a few severely beautiful bronze figures, some busts, some heathen goddesses in tinted marble, standing cold and naked in a niche; an ever-plashing fountain like the pattering of incessant rain—if we bring all this vividly before us, we shall soon feel that the minute yet all but infinite circumstances of external life having been so different from our own, the whole flow of thought and fancy must have been different.
We owe more than we are aware, both for good and evil, to the way we furnish our houses. And if we decorate them according to our own ideas, we must remember that those decorations are for ever throwing back our ideas upon ourselves in a perpetual reflection until a sort of moral identity is established.