What is, to say the least, astonishing, if not lamentable, is to see so many priests devoted with ardor to the study of music, and so many more sanctioning and furthering its inroads upon the domain which it behooves them to cultivate, whilst remaining wholly ignorant of the chant, and unable to intone the Gloria in Excelsis or to sing a Collect or Gospel without blundering at every inflection. We see no impropriety in pressing these facts home upon those who are bound by the laws of their profession to interest themselves in the claims which Gregorian chant makes upon them, in order that they may decently perform the sacred functions committed to their care—how sacred one single reflection will show. For what is the song of the priest? It is not a private performance of his own, but rather an inspired expression of the mind of the church, herself the divine voice of God. When she prays and sings, she prays a divine prayer, and sings a divine song. God prays and sings within the walls of the church, the New Jerusalem, which has come down like a bride out of heaven upon the earth. True, it is the priest who prays and sings; but let him not forget that there is a Voice of supplication which ascends to the throne of the Almighty and Eternal Majesty that is not his, and a song which sounds sweetly in the ears of the Divine Mercy, and celebrates the praises of the Most High, whose melody is not the inspiration of his soul.
The Divine, Incarnate Victim of Calvary is the Suppliant, and the Son of David and of Mary is the Singer. And we are told—do our senses not deceive us?—that his song is become extremely monotonous, and burdens the ear with a weight of sound not always tolerable! No, we will not allow in excuse that this sneer of disdain and expression of contempt is only for the chorus, and is not meant for the consecrated priest. There is a divine unity and faultless harmony in the “prayer” of Jesus Christ as the church utters it. It is the seamless garment which clothes his mystic body; who shall dare to rend it?
What master-mind conceived and executed the magnificent and inimitable spectacle which that prayer presents in a solemn Mass and Vespers to the minds and hearts of devout worshippers? What cunning artificer devised the harmony of a composition so complete? Who breathed into all those prayers and anthems, hymns and psalms, Epistles and Gospels from Holy Writ, that spirit of devotion and piety, and informed them with those lessons of the purest morality and professions of the universal faith of Christendom? What more than angelic Artist knew how to dye the martyr's chasuble in blood, and transfer the spotless purity of the lily to the stole of the confessor and the virgin; to weave the robes of penance with the violet's [pg 157] mournful hue, and paint the verdure of the grass upon the ferial vesture? Who is that heavenly Musician whose soul gave birth to that sweet, intellectual, majestic melody espoused so happily to those chosen words of devout contemplation, of lofty praise, of innocent joy, of dolorous compassion, and of sanctified sorrow? We must look to other sources than mere human science or artistic skill for a solution of these questions. The mind and hand of a divine Artist must be in that work whose unity and harmony the hand of man will not sooner or later disfigure, mutilate, reject, or destroy. That artist is the Holy Ghost, who is the Lord and Life-giver of the church, in whom the mystic life of Jesus Christ is perpetuated by the like ineffable overshadowing which wrought his conception in the womb of the Immaculate Virgin—that Spirit of wisdom, from whom come all those inspirations of genius whose matchless productions and marvellous power are the wonder of the world, the envy of the flesh, and the hate of the devil.
But, no; we must believe that the divine Artist has failed, “confessedly” failed, in this one of his masterpieces. Its noblest, highest purpose found no adequate expression. Jesus Christ has been unable to manifest the joy and triumph of his Sacred Heart, the sublimest purpose of his eucharistic life, and his song is fit only to be chanted as a wail over the dead or as groans of penance in sackcloth and ashes!
Do you believe it? We don't.
To Be Concluded Next Month.
A Vision.
A vision of our Mary, heavenly Queen,
Appeared to me in silence of the night.