Scotland being so closely united in its history and destinies, and having so much in common with the sister countries, the history of the Scottish Church must necessarily have a close affinity and throw much light upon the ecclesiastical annals of England and Ireland; so that the interest and importance of this work is greatly heightened by the fact that it supplies an integral part of the history of Christianity in the British Isles. Hitherto that history was not complete. It may be said to be completed now. If those among our separated brethren who pretend to seek so diligently after truth in the teachings and practices of the early church will deign to glance at these pages, they will find that Scotland too was evangelized by the popes, and that its first Christians professed, not a mutilated Christianity, but the whole cycle of Catholic doctrine. They will learn, moreover, that the so-called Reformation in Scotland was entirely a political job, and that there, as elsewhere, the Protestantism in which they pride themselves was tinkered up by a herd of fanatics and foisted upon the people by a rapacious, profligate, unprincipled nobility. Never was there a more truthful page of history written than this. The author, though he modestly claims for himself nothing more than the title of compiler, has many of the qualifications of an historian; his research has been long and laborious, and he notices only the most authentic documents and records of the past. In no instance do we discover any attempt to color or gloss over any of his statements, and he is never betrayed into exaggerating the virtues or concealing the faults of his countrymen.
Manual of Mythology: Greek and Roman, Norse and Old German, Hindoo and Egyptian Mythology.By Alexander S. Murray, Department of Greek and Roman Antiquities, British Museum. Second Edition. Rewritten and considerably enlarged. With forty-five plates. New York: Scribner, Armstrong & Co., 654 Broadway. 1874.
As a manual of mythology this seems to be as concise, complete, and accurate as such a book can be made. As a specimen of art it is remarkable. The author is apparently one of our modern, cultivated pagans, very much at home among the heathen religions he describes. The very brief exposition of his own theological opinions contained in his introduction ignores the true and primitive religion revealed from heaven altogether, and propounds the utterly unhistorical, pernicious, and false notion that monotheism is a development from polytheism produced by intellectual progress. The author does not, however, put forth anti-Christian views in an offensive or obtrusive manner, and indeed all he says is included in a few sentences. We cannot, certainly, recommend the study [pg 288] of pagan mythology to young pupils, or consider the present volume as suitable for indiscriminate perusal. Those who are fit for such studies, and for whom they are necessary or proper, will find it a very satisfactory compendium of information and a work of truly classical taste and elegance.
Curtius' History of Greece. Vol. V. New York: Scribner, Armstrong & Co. 1874.
This volume completes the work of Dr. Curtius. We have already given it the high commendation which it deserves in our notices of previous volumes. It is one of the first-class historical works of German scholarship, and this is the highest praise that can be given to any work in those departments in which German scholars excel, so far as learning and ability are concerned.
A Theory of Fine Art. By Joseph Torrey, late Professor of Moral and Intellectual Philosophy in the University of Vermont. New York: Scribner, Armstrong & Co. 1874.
Looking through this treatise of Prof. Torrey, whose intellectual head, stamped in gold on the cover, leads the reader to expect a thoughtful work on the most attractive subject of æsthetics, our impression is decidedly favorable. The University of Vermont used to be considered as quite remarkable for an elevated, philosophical tone. Such seems to be the character of this condensed summary of the retired professor's lectures on art, evidently the result of much study and observation, and given to the reader in that pleasing style which best suits such a very pleasant branch of knowledge.
Protestant Journalism. By the author of My Clerical Friends. London: Burns & Oates. 1874. (New York: Sold by The Catholic Publication Society.)
It is enough to name the author of this collection of short, lively essays—Dr. Marshall. It is the cream of the London Tablet's articles, during the author's active connection with that journal, on the most living and interesting topics of the day in regard to the warfare between the Catholic Church and her enemies. We recommend it to universal reading and circulation in the warmest possible manner, and with the most sincere desire that the author may long be spared to continue his admirable and useful career as a champion of religion and truth.
Charteris; A Romance. By Mary M. Meline. Philadelphia: J. B. Lippincott & Co. 1874.