FINDING A LOST CHURCH.
The present age is pre-eminently one of discovery. In spite of the wise man’s saying, “Nothing under the sun is new,” mankind, wiser in its own conceit than the wise man, insists upon the newness of its every production. In Rome a different spirit prevails. While the new is not entirely neglected, the great delight of many Romans is to find something old—the older the better. They live so much in the past that they follow with an eager interest the various steps taken to enlighten them on the lives and deeds of the men of old, their ancestors on the soil and in the faith which they profess.
Foremost in the pursuit and discovery of Christian antiquities stands the Commendatore de Rossi. It has been said that poets are born, not made: De Rossi’s ability as a Christian archæologist seems to be more the gift of nature than the result of study. With unwearied industry, with profound knowledge, with an almost unerring judgment, he finds out and illustrates the remains of Christian antiquity scattered around Rome—not on the surface, but in the deeps of the earth. The latest and one of the most important discoveries he has made forms the subject of the present paper.
Tor Marancia is a name not much known out of Rome, yet it designates a place which was of some importance in its day. The traveller who contemplates the works of ancient art collected in the Vatican Museum cannot fail to be interested in two very beautiful black and white mosaics which form the floor of the gallery known as the Braccio Nuovo. Mythological fables and Homeric legends are represented in these pavements, and they come from Tor Marancia. In the Gallery of the Candelabra, and in the library of the same museum, a collection of frescos, busts, statues, and mosaics of excellent workmanship and of great interest, likewise discovered at Tor Marancia, are exhibited. All these objects were found at that place in the course of excavations made there in the reign of Pope Pius VI. In ancient times a villa stood at Tor Marancia, of which these formed the decorations.
At this spot also is found the entrance to a very extensive catacomb which contains three floors, and diverges in long, winding ways under the soil of the Campagna. The catacomb has been called by the name of S. Domitilla, on evidence found during the excavations made there. This lady was a member of the Flavian family, which gave three occupants to the imperial throne—Vespasian, Titus, and Domitian. It is a well-known fact that those early Christians who were blessed with wealth were in the habit of interring the bodies of their brethren, of saints, and of martyrs within the enclosure of their villas. Such villas were situated outside the limits of the city; and hence we find the entrance to every catacomb beyond the city walls, with the solitary exception of the catacomb or grottos of the Vatican, and the entrances to all of them are found in sites ascertained to have been the property of Christians. It might be easy to multiply instances of this, taking the facts from the Acts of the Martyrs, wherein the places of sepulture are indicated, and the names of those who bestowed the last rites upon the dead recorded.
Domitilla, or Flavia Domitilla, as she is sometimes termed, was a niece of the consul Flavius Clemens, who was cousin of the Emperor Domitian. She was a Christian, having been baptized by S. Peter; and, after a life spent in charitable works, amongst which was the burial of the martyrs “in a catacomb near the Ardeatine Way,” the same of which we write, she also suffered martyrdom. Her two servants, Nereus and Achilleus, were put to death previously, and their bodies were placed in this catacomb by Domitilla.
In 1854, while De Rossi was pursuing his researches in the catacomb of S. Domitilla, he came upon the foundations of a building which pierced the second floor of the subterranean cemetery. This was a most unusual occurrence, and the eminent archæologist eagerly followed up his discovery. He found a marble slab which recorded the giving up of a space for burial “Ex indulgentia Flaviæ Domitillæ”—a confirmation of the proprietorship of the place.
De Rossi naturally concluded that the building thus incorporated in the Christian cemetery was of great importance. The loculi, or resting-places of the dead, were very large, which indicates great antiquity; the inscriptions likewise were of a very early date; and sarcophagi adorned with lions’ heads, marble columns overturned, and other signs, led the discoverer to the conclusion that he had come upon the foundations of a church constructed within this cemetery. In the course of his excavations he had penetrated into the open air, and found himself in a hollow depression formed by the falling in of the surface. Amongst other objects discovered were four marble slabs containing epitaphs furnished with consular dates of the years 335, 380, 399, and 406; and also a form of contract by which the right of burial in the edifice was sold. The proprietor of the land above the cemetery opposed the continuance of the excavations, and the discoverer, obliged to withdraw, covered up the materials already found with earth, and turned his attention to other recently-discovered objects in another place.
Twenty years after, in 1874, Monsignor de Merode purchased the land overlying the catacomb and church, and the excavations were again undertaken under most favorable circumstances. In vain did the Commission of Sacred Archæology, under De Rossi’s guidance, seek for the four marble columns and the two beautiful sarcophagi that had been seen there twenty years before. The proprietor is supposed to have carried them away. But they found instead the floor of the church or basilica, with its three naves, the bases of the four columns, the apse, the place where the altar stood, and the space occupied by the episcopal chair behind the altar. The basilica is as large as that of San Lorenzo beyond the walls. The left aisle is sixty feet long by thirteen broad; the central nave is twenty-four feet broad; and the right aisle, which is not yet entirely unearthed, is considered to be of the same breadth as the first mentioned; the greatest depth of the apse is fifteen feet. “The church,” says De Rossi, “is of gigantic proportions for an edifice constructed in the bowels of the earth and at the deep level of the second floor of a subterranean cemetery.”