I laughed at this quixotic declaration.
“My dear fellow,” I said, “you fly at high game. But I should not let the auri sacra fames interfere, one way or the other, with my tender emotions. If I did so at all, Plutus would have his due weight in the scale, believe me!”
“What would you do?” said Jones. This was in one of those “tobacco parliaments” in early spring—if so they might be called, where one, only, smoked, and the other looked on with sympathy; for I had abandoned the “weed” some years before—hardly of such profundity, nor yet so silent, as those Mr. Carlyle speaks of. Jones had recurred to his usual topic of hopes and perplexities.
“Do?” I answered, looking at him retrospectively, as it were, as if contemplating my own departed youth, as he sat there in his favorite attitude after dinner, gracefully balancing one leg over the arm of my chintz-covered easy-chair, while I was stretched out on the sofa. “Ah! that is an easy question to propound, but not so easy to answer. At your age I should not think you would need much prompting. But if you ask me, I would say, leave it alone! Love is a luxury for the rich or the evenly-mated poor. But you are not likely to take that advice. A good deal would depend on the reinforcements she might bring to the struggle. A woman is not always a passive instrument in those affairs, but sometimes has a will of her own. I have never seen your fair one, and know nothing about her. But if she be a girl of some strength of character, and her love do not prove a mere school-girl’s fancy, she might possibly gain her father’s consent. But it is not a promising adventure, at the best; and I would not recommend you to embark your hopes in it. Keep clear of serious entanglements until you see your way before you. Above all, avoid anything like a clandestine engagement. It will not add to your happiness or hers. I don’t suppose you will think this a very encouraging opinion. But there may be circumstances in your favor I know nothing of. Marry her, if you can, and can get the father’s consent; and go into “railroading” with him in his office. You will make more money at that than you are ever likely to do sticking little dabs of color on a piece of canvas.”
I saw Jones wince at this mercenary view of his art. But he bore it like a man, and continued silent. The suggestion of such a change of vocation did not appear to surprise him, though it was plain no active intention of throwing up his art had yet entered his mind. The fact is, Jones is one of those young men—not inconsiderable in numbers in the profession—who “have a studio,” but are not likely ever to send many master-pieces out of it. Developing some precocious talent for drawing when they are boys, and seizing with boyish eagerness upon the suggestion of being “an artist,” they are offered by fond but undiscerning parents upon the altar of art. But they never advance beyond a mechanical dexterity in putting conventional scenes upon canvas. They haven’t a spark of that genius that is often observed where other pursuits have prevented a devotion to the profession. Eventually they abandon altogether the study or practice of their art, or sink into drudges for the picture or chromo dealers, or grind out a living as drawing-masters, or—Heaven knows how. I will not say that Jones was altogether deficient in talent, but the talent that makes an agreeable accomplishment for the rich amateur is a different thing from that which will pay the piper or win eminence in the art. Jones painted his pictures for the autumn and spring exhibitions, and had one or two on view in one of the up-town windows. But at Du Vernet’s big sale I know that a clever little bit of coloring on which he had spent some time was knocked down to a chromo-dealer for sixteen dollars! How was he going to live on such prices? And as for marrying Agnes Cortland—it was simply preposterous to think of it. Nor is this redundancy of young native artists on whom neither genius nor fashion smiles confined to New York alone. In Boston, which is the only other city boasting of a native school of art, the same low prices prevail. It is disheartening; but a more disheartening thing still is that those prices often represented the actual value of the picture.
Jones was imperfectly educated, though his continental travel had made him a fair linguist. He certainly drew very little inspiration from the antique, for he knew next to nothing about it; nor had he much of that sympathy with the undercurrent of life, and its relations with nature, which gives significance to common things. He had a fondness for pleasure which, of course, did not contribute to his success. Yet he was one of those young fellows whom it is impossible to meet without liking. He was frank, honorable, and spirited, and had a robust shrewdness about him in dealing with men and things that made him a pleasant companion. That he would eventually choose a more active kind of life—and probably succeed in it—I was half-convinced, and my advice about “railroading,” though spoken partly in jest, was inwardly meant in good faith.
On this particular July evening on which our paper opens Jones followed up the announcement of my proposed trip to L—— by expressing a wish that he were going there too, so that he might come to a definite understanding with Agnes Cortland; and the wish was soon followed by the determination to act on it.
“How long do you intend to stay there?” he asked.
“Till the first week in September,” I said.
“Then I will come back that way, and join you for a few days about the first of September. The Cortlands don’t leave there till October. We can come back to New York together.”