“Saddle a horse, and ride as fast as you can with this to the telegraph,” he said to his valet, who answered the summons; “and the moment you come back, get ready to be off with me to London by the mid-day train.”

The telegram prepared Mr. Simpson to see his client appear at his office at two o’clock that afternoon, and, in obedience to its directions, the Jew was there to meet him. Clide de Winton had seen Simpson the day before, and given him full authority to settle the Dullerton debts so as to set Sir Simon Harness free. He had only arrived in London that very morning, and it was the merest accident that led him to call on the family lawyer, who was also the family’s best friend, on his way from the station to his hotel. Simpson was discretion itself, and one of the attributes of that virtue is to know when to be indiscreet. Clide’s first inquiry was for Sir Simon, with a view—which the astute lawyer did not see through—of leading up to inquiries about other friends at Dullerton; whereupon Mr. Simpson bolted out the whole truth, told him of the baronet’s position, the long arrears of debt that had come against him, and which were to culminate in bankruptcy within twenty-four hours. It was as if the sky had fallen on Clide, or the ground opened under his feet.

“Thank goodness I am come in time!” he exclaimed; and there and then sat down and wrote to Sir Simon, telling him that proceedings were stopped, and that he, Clide, took them in his own hands.

“And this is what you call being a friend!” said the young man, as he and the baronet left Simpson’s office together, the one with a lightened purse, the other with a heart considerably more so. “To think of your letting things go to such lengths, and that if I had been a day later it would have been all over!”

“My dear boy! what can I say to you? How can I ever repay you?”

“By forgiving me. I’ve lived long enough to find out a secret or two. One is that it requires a very noble soul to forgive a man a money obligation, and that there is a deal more generosity in accepting than in conferring it. So if you don’t pick a quarrel with me after this, and turn your back on me, we are quits. Is it a bargain?”

He held out his hand, laughing; Sir Simon wrung it till the pressure made Clide wince. This was his only answer, and the only sentimental passage the occasion gave rise to between them.

It was more than a month since Clide had left St. Petersburg, although the season was still at its height there, and Isabel’s engagement was to have lasted until the end of it. This had, however, been brought to an abrupt and tragic close. She had acted for six weeks with unprecedented success; every night was a fresh triumph, and nothing was talked of in the salons and clubs but the wonders of her voice, the intense reality of her acting, and her rare beauty. Ophelia was considered her grandest part. She was playing it one evening to a crowded house, in the presence of the imperial family and the whole court, and seemed wrought up to a pitch of power and pathos that surpassed her finest preceding efforts. She was singing the mad scene with melting tenderness; the house was breathless, hanging enraptured on every note, when suddenly the voice ceased, the prima donna cast a wild look on every side of her, and then, with a shriek too terribly real to be within the compass of art, she flung her arms over her head, and, clasping her hands, fell insensible to the ground. Never did any opera-house witness so dramatic a scene. The spectators rose in a body from the pit to the gallery, shouting to know what had happened, and calling for help. Help was near enough. A man in plain clothes sprang from behind the scenes, and lifted the prostrate Ophelia before any of the actors could interfere. There were several medical men among the audience, and they rushed in a body to offer their services. It was feared for a moment that she was dead; but the doctors soon pronounced it to be only a swoon, though it was impossible to say what might follow on the awakening. The emperor sent one of his chamberlains to hear and see what was going on in the green-room, and inquire if the piece was to be continued; whereupon the luckless manager flew out before the footlights, and falling on his knees under the imperial box, as if he saw the knout suspended over his shoulders, called heaven to witness that he was a loyal subject and an innocent man, and flung himself on the imperial clemency. The prima donna had been seized with illness, and the opera could not be finished that night. The czar waved his clemency to the terrified man, who withdrew, invoking all manner of benedictions on the mercy of the Father of all the Russians, and flew to hear what the doctors were now saying of Ophelia. They were saying that she was acting out her part as it had never yet been acted, with the perfection of nature—she was raving mad.

This was not proclaimed at once. The affair was hushed up for a few days, and kept out of the newspapers, so that Clide only heard it accidentally at the club, where he happened to lounge in a week after the occurrence. He sent Stanton off at once to make inquiries at the house where Isabel lodged. But they could tell nothing of her there; she had been taken away the day after her seizure at the opera, and had left no address. Clide went straight to the lawyer, and asked if there was no way of getting access to her through the police; of learning at least whether she was in an asylum; for his first idea on hearing that she had been taken away was that they had placed her in some such confinement. The lawyer agreed with him that this was most probable, but did not promise much help in verifying the supposition. He seemed honestly willing to do what he could in the matter, but repeated the old warning that little could be done where imperial favor stood in the way. It was highly probable that the czar would still show his benevolence toward the beautiful artist by screening her hiding-place and the fact of her being mad, in hope of her being able to return and complete her engagement after rest and medical treatment.