In proportion to the strength of this instinct is the excellence or inferiority of the poetic gift. From this must it draw all its highest inspirations. Poetry is, in fact, its advertent expression; and thus the poet is, like God—only, of course, after a secondary and imitative fashion—a creator (ποιητὴς). He avails himself of some of the illimitable wealth of imagery in which God has expressed, or given objective existence to, his own one but infinitely varied idea, and, by fresh combinations, throws them into really new forms or creations. Out of many examples that come to mind—for excellence in this is less uncommon than in the higher order of poetry, of which the crown and
lord of nature form the material—may be quoted the following creation of a midsummer noon in the Earthly Paradise, by Morris:
“Within the gardens once again they met,
That now the roses did well-nigh forget;
For hot July was drawing to an end,
And August came the fainting year to mend
With fruit and grain; so ‘neath the trellises,
Nigh blossomless, did they lie well at ease,
And watched the poppies burn across the grass,
And o’er the bindweed’s bell the brown bee pass,