A wrathful light gleamed in Cromwell’s eyes, the while an ironical smile played upon his lips. Two ideas prevailed in the mind of this man; the one encouraged and supported the other.
“My lords,” he replied in a loud voice, “just as you please. The king, your lord and master, convokes you to-morrow at the same hour, and you will consider the subject in a new conference.”
He then turned on his heel and hastily withdrew.
TO BE CONTINUED.
[111] Eight o’clock in the morning.
DR. BROWNSON.
Some three or four years ago a little daughter of one of Dr. Brownson’s intimate friends, who was visiting his family, after gazing intently at him for some minutes, exclaimed: “Is he not just like a great lion”! Nothing could be more graphic or accurate than this sudden and happy stroke of a child’s wit. We never saw Dr. Brownson or read one of his great articles without thinking of the mien or the roar of a majestic lion; we have never seen a remarkably fine old lion without thinking of Dr. Brownson. His physique was entirely correspondent to his intellectual and moral power, and his great head, crowning like a dome his massive figure, and surrounded in old age with a mass of white hair and beard like a snowy Alp, made him a grand and reverend object to look at, such as we might picture to ourselves Zoroaster or Plato, St. Jerome or St. Bruno. The marks of infirmity which time had imprinted upon him, with the expression of loneliness and childlike longing for sympathy, added a touch of the pathetic to the picture, fitted to awaken a sentiment of compassion, tempering to a more gentle mood the awe and admiration excited by his venerable appearance. Mr. Healey has painted a remarkably good portrait of him as he was at about the age of sixty, in which his full maturity of strength is alone represented. The most perfect one, however, is a mere photograph, taken in haste and by accident by Mr. Wallace,
an artist of great promise, who died at a very early age, leaving unfinished a marble bust of Dr. Brownson which he had commenced. The young artist met the doctor by chance in the studio of a photographer, who happened at the moment to be absent. Asking him to sit down, he placed him in position for a profile and took the photograph, one of the most successful specimens of this kind of art we have ever seen, and much superior to any other photographic likeness of Dr. Brownson—indeed, as we have said, the best likeness which exists, and the one above all others from which an engraver should copy.