“What is the allowance of coffee and sugar?”
“Four pounds of the former and eight of the latter to one hundred rations.”
I now took a friendly farewell of the Indian agent, and went away with a vague impression that it is not the poor, subordinate official who makes most money out of the Indians, but freighters and “big contractors,” and perhaps more especially their financial “backers,” the speculators of the great Eastern cities.
On our way back to the post we met Kicking Bird returning to his camp. He was mounted on a large cream-colored mule. We stopped, shook hands with him, and chatted a little. The interpreter joked him about riding a mule. Kicking Bird laughed, and said that as he was going to live hereafter like a white man, like a white man he should ride a mule.
It was the last time I saw Kicking Bird. Shortly afterwards he delivered
up to the military authorities a number of the revolted Indians. Among them was a brother of one of his squaws. In revenge she poisoned the faithful chief.
Poor Kicking Bird! He had given his gorgeous war-bonnet to a veteran officer of the army as a token that he had left the war-path for ever. He proposed to teach his children the white man’s language and the white man’s peaceful arts. He fell a martyr to his fidelity to the government.
DE VERE’S “THOMAS À BECKET.”[210]
It is doubtful whether two years ago even the admirers of Aubrey de Vere looked for anything strikingly new or startling from his pen. His measure seemed filled. He was known and read as a poet whose melodious verse was the expression of thoughts lofty as well as tender, of profound meditations and large aspirations, of purity without fleck, yet cold almost as it was chaste. This were an enviable fame at any time, infinitely more so just now, when the ambition of our poets seems to be that of the prodigal, to waste their divine birthright on worthless objects, to live riotously, and finally, when all else is gone, to feed themselves and their readers on the husks of swine. Suddenly Alexander the Great appeared, and in the author we beheld a new man. At once his fame took wings, while he, with the unconscious ease of one who took his place by right, strode beyond the men of to-day, and entered into that narrower circle of larger minds whose names are written in brass, whose works live after them and become part and parcel of the English tongue. One sign of Mr. de Vere’s undisputed