“’Tis the devil’s trade,” cries the curé, quite out of patience.
“All roads lead to heaven, my father,” answers Nanette mildly.
So a flower-girl she becomes; and it must be confessed that, in spite of Undine, beauty seems more at home with the flowers than with the fishes.
II.
One bright morning in the summer of 1756 the loungers under the chestnuts which then adorned the garden of the Palais Royal—that forehanded and long-headed (though, long as his head was, he could not keep it long) personage, Philippe Égalité, thought shops would be more ornamental as well as more useful, so he put the chestnuts in his pocket and built that splendid colonnade which is the wonder and delight of the wandering American—the loungers in the shade of the Palais Royal chestnuts were conscious of a new sensation. Not that sensations were just then going begging. By no means. One or two royal gentlemen, by laying their crowned heads together, had already contrived that famous misunderstanding which was to turn a large part of three continents into a shambles for the next seven years; to cost the “well-beloved,” in Canada and India, the brightest jewels of his crown, and to make of Montcalm, for losing one and his life with it, a hero, and of Lally-Tollendal, for having the bad taste to survive the loss of the other, a traitor or a martyr as you were for him or against him. So often is it that for precisely the same services a grateful and discriminating country decrees to one of her sons a monument, to another a halter. Perhaps there is not so much difference between the two—to the dead men, at least—as some folks imagine.
But the heroes we are to deal with are by no means of the stuff of martyrs, and fighting, beyond an ornamental pass or two in the Bois de Boulogne, they vote vulgar and bourgeois. Here under the chestnut blossoms is a sensation much more to their taste. It is a new flower-girl. But what a flower-girl! Figure to yourself, then, Mme. la Duchesse, a flower-girl arrayed in silks and laces and jewels a marchioness would give her head for (marchionesses’ heads were rated higher then than they came to be before the century was over), with a golden shell for her flower-basket, lined with blue satin and suspended by an embroidered scarf from the daintiest waist in the world—a flower-girl with the face of a seraph and the figure of a sylph, with eyes of liquid light and hair of woven sunshine, with the foot of Cinderella and a hand—a hand only less perfect than that of Madame, which your humble servant most respectfully salutes.
News so important must be sent post-haste to Versailles. A score of noblemen sprang to the saddle and rushed to lay their hearts and their diamonds at the feet of this strange paragon. But Nanette, young as she was, could tell base metal from good. The jewels she took from her adorers with smiling impartiality; the other sort of trinkets—sadly battered by use, it must be confessed, and not worth much at any time—she rejected with equally smiling disdain. Always gracious, gay, and self-possessed, sparkling with raillery and wit, she yet maintained a maidenly reserve that abashed the boldest license, and her reputation grew even faster than her fortune.
And the latter grew apace. She became the rage. Her appearance on the Palais Royal, followed at a little distance by footmen in livery and her maid, gathered about her straightway all the gallants and wits in Paris. Her basket was emptied in a trice, and emptied again as often as refilled by her servants. It was deemed an honor to receive a nosegay from her pretty fingers, and more louis than half-franc pieces repaid them.
Great ladies came to her levées—for such they really were—and even deigned to accept from the beautiful flower-girl the gift of a rose or a violet—gifts always sure to be recompensed in noble fashion with jewels or costly laces, rich silks or pieces of plate. Within two years Nanette had thus accumulated in houses, lands, and rents an annual income of forty thousand francs, besides loading her kindred with presents.
Naturally, this circumstance did not cool the ardor of the followers whom her beauty had attracted. One of these was particularly noticeable for his assiduity. He was a young man about twenty-two years old, of distinguished air and handsome features, tinged with that shadow of melancholy thought to be so irresistible to the feminine imagination. His clothes, too, were in his favor; for though irreproachably neat and faultlessly cut, they had plainly seen their best days. We all know what a sly rogue Pity is, and how untiringly he panders for a certain nameless kinsman. Every afternoon found the melancholy young man at the garden awaiting the flower-girl’s coming. On her arrival he would advance, select a flower, pay a dozen sous, exchange a word, perhaps, and disappear till the following day. Once he was absent, and the fair florist’s brow was clouded. In other words, Nanette was extremely cross, and many an unlucky petit-maître was that day unmercifully snubbed for presuming on previous condescension. The garden trembled and was immersed in gloom. But presently the laggard made his appearance, Nanette’s lovely face was again wreathed in smiles, the garden breathed freely once more, and the petit-maîtres were astonished to find their vapid pleasantries received more graciously than ever. From this remarkable circumstance the sagacious reader will doubtless form his own conclusion; and we do not say that the sagacious reader will be wrong.