The manner rather than the words of the speaker took effect at once, and the group dissolved to make room for other sight-seers, all gaping, all admiring, and all ending by feeling uncomfortable and leaving the stand with muttered words of equal wonder and fear. But it is impossible to follow each comment, and we have yet other scenes to look at before we close the history of this picture.
Among the crowd that day had been Peter and Simon, and the former, familiar as he was with the painting, had ceased to feel impressed by the weird, indescribable beauty and awe that were its very essence. But he had been, in a business-like way, alive to everything connected with what was to him the instrument of future success, and the fainting scene and its close were especially observed. He noticed the drift of all the remarks made on the picture; he had foretold it himself—for he was nothing if not worldly-wise—and he carefully scanned the faces of the four critics who had so pertinaciously lingered round the stand all day. He knew them all for enlightened men, above the nonsense of the age, good art-critics, and men born to be masters of their kind. Even the young Venetian had the making of a statesman in him; the Greek was as simple-minded as he was generous, and, though his countrymen had a bad name at Bruges for conventional sins of which not half of them were really guilty, he was, even with the most ignorant, a signal exception. The other two were trusted native citizens, bosom friends, patrons of all that was good, learned, and improving, and, what was more, powerful in the council and civic government. The first, by the way, was a canon of the cathedral, by private inheritance a rich man, and, by dint of charity to the starving and liberality to men of letters, raised above the scandal that attended on rich ecclesiastics. These four were representative men, and though each a representative of the best type of his own class and nation, still no less entitled to be called representative men.
Peter noted the way Messire Van Simler went that evening; the canon he knew well by reputation. Then he came back to the Place and helped a young peasant to lift and pack the picture, leaving on the planks in front of the booth the address of the artist and a notice that purchasers were asked to meet the painter at his own studio any time each day before dark. The peasant seemed slim and tall for a Flemish countryman, but his cap concealed his face, and his loose vest was well calculated to increase his seeming bulk; still, when he got to the studio in the old garret over the canal, and threw off his cap, he proved to be the person you must have suspected—the painter himself. He said nothing, and Peter did not offer to speak; but the former, as soon as he came in, glanced hurriedly into one corner and then back at the picture. Over their scanty supper the two exchanged a few monosyllables as to the result of the show, but each was uneasy and spoke as if compelled by the suspicion of the other. Next morning Peter went to Van Simler’s house before the latter was out of bed, and was received during the merchant’s ample breakfast. No one came to Jan’s garret the first day, and he stayed at home alone with his work, now and then retouching it, as if drawn to it by a spell he could not master; but each time he worked at it he seemed more ill and nervous. Towards dusk he heard a footstep on the stair, and opened the door to let in some light on the break-neck place, full of corners and broken steps, where some stranger was evidently groping his way. It was the Greek. He greeted the painter with grave earnestness and more interest than is usual with a purchaser.
“I have come,” he said after the first civilities, “to buy both your pictures and you, and pack both at once, as my ships will be in port by the night after to-morrow night, and it needs time to meet them. They cannot wait—at least, that one cannot which happens to be most convenient for you to go in. Have you any objection to go with me to Greece?—any tie to detain you here?”
Jan looked into the corner before he answered, and shuddered. “I fear I have,” he said unwillingly. The Greek looked fixedly at him.
“I will not keep you any longer than you like, and you probably like travelling? There are scenes in Greece and the East that will delight you, if you have a liking for Scriptural subjects; and the journey need not be longer than the interval between this cargo from here and the next cargo back.”
Jan said nothing.
“You see I am bent on having you as well as your picture,” the merchant went on; “but if you insist on refusing me your company, I will take the picture at once. I have men below ready to carry it away, and I will give you your own price at once, in gold coin.”
And Jan still gazed into the furthest—and empty—corner.
“I have reasons for my haste,” said the Greek, slowly, at last. Jan turned inquiringly.