“I have a little special treat for you this morning,” the Signora said as they went down into the church again. “It has no special connection with the Madonna delle Neve, but it will not disturb your visions of her. Here, however,” pointing to an altar near the sacristy door, “is the story again, and here is buried that Giovanni Patrizio who was found buried under, or in front of, the grand altar.”
It was the chapel of Santa Maria delle Neve, with a painting over the altar where the Virgin appears to Giovanni and his wife, and points them to a snow-capped hill.
Then they went into the sacristy, where one of the canons joined them, and had some precious vestments brought out for them to see; among them a cope of stuff such as one does not find any more, thick, rich, and dim, and threaded with gold, with the short fringe of mingled crimson and gold so thick as to round up almost like a cord—the cope given and worn by St. Pius V. Almost more precious, if one could choose, was the chasuble given and worn by St. Charles Borromeo—long, and with a slight, graceful point in the back. It had been proposed, the sacristan told them, to have this made a model for chasubles now on account of its graceful form, but no change had yet been made.
“This is worn on the festa of San Carlo, though it is crimson,” he added, “because it was his. Sometimes strangers exclaim, when they see it, that San Carlo was not a martyr.”
They touched reverently the sacred relics, and kissed the fastenings that those saintly hands had touched; then, with a more human admiration, examined a marvellous flounce of lace given the church three hundred years ago by the Prince Colonna of that time—a web of such fineness that the spiders might have woven the thread, and of such beauty of design that only an artist could have imagined it.
Before leaving the church they paused in front of the closed cancella of the Borghese Chapel to look at the bas-relief over the altar, wherein Our Lady of Snow again repeats her story. All was still in the church. Choir and High Mass were over, and only here and there lingered some custode, or assistant, putting the finishing touches to the preparations for the festa which would begin with first Vespers that afternoon. The pavements shone newly polished, the candlesticks were like gold, the gilt bronze angels that hold the great painted candles stood on the marble rail of the confession, the draperies were all up. In the chapel itself the benches of the choir were prepared, the altar glittering with its most precious ornaments, the two great hanging lamps at either side swinging faintly, as if impatient for the music to begin. All was peaceful; and a tender shade and coolness in the air veiled the glittering richness of the place.
“I cannot tell you how mysterious that picture seems to me,” Bianca whispered, pointing to the square veiled case bordered with jewels, and supported by gilt angels in the middle space over the altar. “The two veils that are to be removed in order to see it, and then the depth at which it is set, and the mere dark outline that is all one can see inside the golden border—it all impresses me with a sense of mystery and awfulness. I wonder what the face really looks like, and if any one has seen it.”
“Why, you have seen my engraving of it, my dear,” the Signora said; “and I presume that is a faithful copy, taken when the features were more distinguishable. That has a noble, serious look which impresses me. And no wonder you look with awe at this. If it were not painted by St. Luke even, it is embalmed by memories not less sacred. Twelve hundred years ago St. Gregory the Great carried this very picture in procession through the city, in a time of terrible pestilence, and set it on the altar of St. Peter’s. It was on the open façade of this church till Paul V. built this chapel to contain it. Ampère says that angels have been heard chanting litanies about it. It is held by all here in the most tender veneration. I have never heard any one describe it, and do not know who has seen it near. I have heard somewhere that only the chapter of the basilica and the Borghese family have the privilege of going up to it. Madonna mia, what a privilege it would be!” she sighed, looking up at the closed jasper gates.
They stayed a little longer, then started to go home; but as they were going out a boy came to tell the Signora that Monsignore M—— begged to speak with her. The others went on, but she turned back, well content; for a call from Monsignore M—— always meant something pleasant. This prelate was no less distinguished for position than for his virtues; and, finding the Signora a stranger and somewhat lonely when she first came to Rome, he had done her many kindnesses—was, in fact, her Santa Claus.
“Do you guess what little devotion I want you to make on the eve of our festa?” he asked, meeting her with the confident smile of one who knows he is going to confer a great pleasure.