Mr. Wilkes goes into a lengthened argument to show that it was the custom at that time in England to celebrate Mass at night. He says: “I have found many illustrations from Catholic reviews and other reliable authorities of the practices of the hedge-priests, as they were called, in times of Catholic persecution, whose business it was to go in the darkness of the evening to the houses of the faithful to celebrate a nocturnal Mass.” We should be much pleased to see any such authorities. He cites only an article in the Manhattan Monthly last year, where a writer speaks of priests in Ireland “who often at dead of night fled to the mountain cave, the wooded glen, and wild rath to celebrate Mass for the faithful”; but travelling by night is one thing, and saying Mass at night is another. Again, there were no priests in England answering to the Irish hedge-priests. The priests in England found shelter in the houses of Catholic gentry; they had not a mass of poor and oppressed faithful among whom they lived. But neither in Ireland nor in England is there a single example that the writer has ever found of a Mass said in what may be called the evening—that is, between sunset and midnight—much less of its being so frequent an occurrence as to make Shakspere refer to evening Mass as an ordinary matter. Dodd’s History of the Church, Challoner’s Missionary Priests, the works of Father Parsons, Campion, and other Catholic writers of the time, never allude to any single case where such a Mass was said. Nor is there in any liturgical work reference to any such custom ever having obtained in England.
Mr. Wilkes seems to feel that the theory is not very solid. He next refers to the custom in some parts of saying a Low Mass immediately after the Sunday High Mass. “Shakspere may have considered the last or one o’clock Mass an evening Mass.” The play itself makes this untenable. It was late in the afternoon when Juliet went to the friar. When she comes back the nurse says:
“See where she comes from shrift with merry look”—
not half as charmingly as Longfellow describes Evangeline as most beautiful
“When, after confession,
Homeward serenely she walks with God’s benediction upon her.”
Then, a few lines lower down, Lady Capulet, in the same scene, says:
“’Tis now near night.”
This fixes the time too clearly to allow that any reference is made to a Mass about mid-day. “Evening Mass” is simply nonsense; but the phrase has charmed later writers, and several poets introduce the expression, just as poets and prose writers have all copied the Protestant Bible misprint, “Strain at a gnat,” instead of “Strain out a gnat.”
But the word Mass here is against all Catholic custom and reason. Juliet wishes to go to confession. She politely asks her confessor whether he is at leisure or whether she shall come again at a later hour. Would any one, under the same circumstances, propose to come to confession to the priest when he was saying Mass? It would be just the time when he could not possibly hear confessions. If he expected to say Mass soon, he would hear her then, and neither he nor she would think of putting it off till he had begun his Mass. Shakspere critics have boggled and blundered over this without seeing this incongruity, which to a Catholic is as patent as the day. What, then, does it mean? Juliet can ask only whether he will hear her then or whether she shall come later. Now, if we consider Shakspere to have written: